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Fine Art Print : Plate 4 from The Rakes Progress at the University

Plate 4 from The Rakes Progress at the University



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Plate 4 from The Rakes Progress at the University

NCO193199 Plate 4 from The Rakes Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: parody of the series by William Hogarth (1697-1764); ); English, out of copyright

Media ID 22931410

© Bridgeman Images

Academic Beadle Caught College Dandy Fashionable Dress Gown Master Mortar Board Social Satire Staff Chastised Rebuked


20"x16" (+3" Border) Fine Art Print

Experience the wit and satire of renowned English artist James Gillray with this exquisite fine art print from Media Storehouse. Plate 4 from The Rakes Progress at the University, published by Hannah Humphrey in 1806, showcases Gillray's masterful use of hand-coloured etching. This captivating image from Bridgeman Images, part of the Fine Art Finder collection, offers a glimpse into the world of The Rakes Progress, a series of eight prints that chronicles the downfall of a young man named Tom Rakewell. Each print satirically depicts a different stage in Tom's debauchery. With its intricate details and vibrant colours, this fine art print is a must-have for art enthusiasts and collectors alike, adding a touch of historical charm and sophistication to any space.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 35.7cm (20" x 14.1")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Schools, Colleges & Education

> Arts > Artists > G > James Gillray

> Arts > Artists > H > William Hogarth

> Arts > Artists > J > William James

> Arts > Artists > William Hogarth

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > London > Art > William Hogarth

> Popular Themes > Universities and Colleges

> Popular Themes > William Hogarth


Plate 4 from The Rakes Progress at the University - A Satirical Take on Academic Life

EDITORS COMMENTS
. This print captures Plate 4 from The Rakes Progress at the University, a parody of William Hogarth's renowned series. Created by James Gillray in 1806 and published by Hannah Humphrey, this hand-coloured etching offers a humorous glimpse into the world of academia. In this scene, we witness a spoiled youth donning his mortar board while breaking all the rules. With an air of fashionable dress and arrogance, he doffs his cap to mock authority figures as he revels in his rebellious behavior. However, his mischievous actions have not gone unnoticed. The master and beadle catch him red-handed, resulting in a stern rebuke and chastisement. Clad in traditional gowns that symbolize their positions of power within the university setting, these figures represent discipline and order amidst chaos. Gillray's caricature style adds an extra layer of satire to this composition. He brilliantly portrays the young man as a cad, dandy or fop – someone who prioritizes appearance over substance – highlighting society's obsession with superficiality during that era. Through intricate engraving techniques, Gillray brings this social commentary to life. This print serves as both entertainment and critique; it invites viewers to reflect on the consequences of indulgence and disregard for established norms within academic institutions. Courtesy of New College Oxford's collection, this remarkable piece showcases Gillray's

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