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Fine Art Print : The King of Ashantees Palace at Coomassie, viewed from the East (engraving)

The King of Ashantees Palace at Coomassie, viewed from the East (engraving)



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The King of Ashantees Palace at Coomassie, viewed from the East (engraving)

1105652 The King of Ashantees Palace at Coomassie, viewed from the East (engraving) by English School, (19th century); Private Collection; (add.info.: The King of Ashantees Palace at Coomassie, viewed from the East. Illustration for The Illustrated London News, 25 April 1874.); Look and Learn / Illustrated Papers Collection; English, out of copyright

Media ID 23047640

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Anglo Ashanti War Coomassie East Ghana Royal Homes Viewed


20"x16" (+3" Border) Fine Art Print

Experience the rich history and culture of the Ashanti Kingdom with our exquisite Fine Art Print of "The King of Ashantees Palace at Coomassie, viewed from the East" by Bridgeman Images from Fine Art Finder. This stunning 19th-century engraving offers a captivating perspective of the palace, showcasing its grandeur and intricate details. Bring the beauty and history of this iconic landmark into your home or office with our high-quality print, a perfect addition to any art collection. Note: This print is from a private collection and adds to the authenticity and exclusivity of your purchase.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 36.5cm (20" x 14.4")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Ghana > Related Images

> Architecture > Palaces

> Europe > United Kingdom > England > London > Royalty


EDITORS COMMENTS
This engraving, titled "The King of Ashantees Palace at Coomassie, viewed from the East" offers a glimpse into the majestic architecture and grandeur of the royal homes in Ghana. Created by an English School artist in the 19th century, this print showcases the opulence and cultural significance of Ashanti royalty. From its intricate detailing to its imposing structure, The King of Ashantees Palace stands as a symbol of power and authority. The viewer is transported to Coomassie, where they can marvel at this magnificent palace from an eastern perspective. Every line etched on paper brings forth a sense of awe and admiration for this architectural masterpiece. This engraving originally appeared in The Illustrated London News in April 1874, providing readers with a visual representation of life within the Ashanti Empire during that time. It serves as both documentation and celebration of Anglo-Ashanti relations during the era. As we gaze upon this historical artwork today, we are reminded not only of its artistic value but also its cultural significance. This image allows us to appreciate the rich heritage and architectural prowess displayed by African civilizations like that of the Ashanti people. Thanks to Bridgeman Images' preservation efforts, we can continue to explore and learn from these remarkable pieces that bridge gaps between different cultures and eras. Let us cherish this print as a testament to human creativity and diversity throughout history.

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