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Fine Art Print : The Roza at Mehmoodabad in Guzerat, or the Tomb of Vizier of Sultan Mehmood

The Roza at Mehmoodabad in Guzerat, or the Tomb of Vizier of Sultan Mehmood



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The Roza at Mehmoodabad in Guzerat, or the Tomb of Vizier of Sultan Mehmood

STC86060 The Roza at Mehmoodabad in Guzerat, or the Tomb of Vizier of Sultan Mehmood, from Volume II of Scenery, Costumes and Architecture of India, etched by John Willis (fl.1826-52) and engraved by Charles Bentley (1806-54) pub. by Smith, Elder and Company, 1830 (aquatint) by Grindlay, Robert Melville (1786-1877) (after); Private Collection; The Stapleton Collection; English, out of copyright

Media ID 23349996

© The Stapleton Collection / Bridgeman Images

Gujarat Onion Dome


20"x16" (+3" Border) Fine Art Print

Experience the rich history and culture of India through the exquisite Fine Art Print of The Roza at Mehmoodabad in Guzerat, or the Tomb of the Vizier of Sultan Mehmood, from Bridgeman Images' extensive collection at Media Storehouse. This stunning piece, sourced from Volume II of Scenery, Costumes and Architecture of India, showcases the intricate and ornate architecture of the Mughal era. Bring the beauty and history of this iconic tomb into your home or office space and elevate your interior design with this timeless work of art.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 37.5cm (20" x 14.8")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Country > India

> Architecture > Pubs

> Architecture > Temples

> Arts > Artists > B > Charles Bentley

> Arts > Artists > E > John Elder

> Arts > Artists > S > Charles John Smith

> Arts > Artists > S > Charles Smith

> Arts > Artists > S > Robert Smith

> Asia > India > Related Images

> Europe > United Kingdom > England > Herefordshire > Ledbury > Charles II


EDITORS COMMENTS
This print showcases "The Roza at Mehmoodabad in Guzerat, or the Tomb of Vizier of Sultan Mehmood". The image is a reproduction from Volume II of Scenery, Costumes and Architecture of India, etched by John Willis and engraved by Charles Bentley. Published in 1830 by Smith, Elder and Company, this aquatint print captures the essence of Gujarat's architectural marvels. The photograph portrays an exquisite landscape featuring an onion dome structure that stands tall against the backdrop. The intricate details on the temple are awe-inspiring, showcasing the rich heritage and craftsmanship prevalent during that era. Every curve and contour tells a story of its own. As we delve into this visual masterpiece captured by Robert Melville Grindlay after his travels through India, we are transported to a time when architecture was celebrated as an art form. The Roza at Mehmoodabad serves as a testament to human ingenuity and devotion. This print from Fine Art Finder allows us to appreciate not only the physical beauty but also the historical significance behind such structures. It invites us to explore Gujarat's cultural tapestry while reminding us of our shared past. With its blend of natural surroundings and man-made wonders, this image encapsulates both tranquility and grandeur. It serves as a reminder that even centuries later, these architectural gems continue to inspire awe among those who encounter them – be it through photographs or personal visits.

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