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Fine Art Print : Portrait of a Young Man, 1588 (vellum laid on card)

Portrait of a Young Man, 1588 (vellum laid on card)



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Portrait of a Young Man, 1588 (vellum laid on card)

3493056 Portrait of a Young Man, 1588 (vellum laid on card) by Hilliard, Nicholas (1547-1619); 40x33 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Probably Robert Devereux (1566-1601), Second Earl of Essex. In gold: Ano Dei 1588; Aetatis Sui 22.); English, out of copyright

Media ID 23136056

© Bridgeman Images

16th Cameo Chain Courtier Elizabethan Favourite Sixteenth Status Jewels


20"x16" (+3" Border) Fine Art Print

Discover the timeless beauty of the past with Media Storehouse's exquisite range of Fine Art Prints. This captivating portrait, titled "Portrait of a Young Man" by Nicholas Hilliard, showcases the artist's mastery of the miniature painting technique on vellum laid on card. Dated back to 1588, this portrait is believed to depict Robert Devereux, an English nobleman. Bring this piece of history into your home or office and add a touch of sophistication and elegance to your space. Each print is meticulously produced using high-quality materials and printing techniques to ensure vibrant colors and exceptional detail. Order yours today and experience the joy of owning a piece of art history.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 47.9cm (16" x 18.9")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > Nicholas Hilliard

> Arts > Artists > Y > Art Young

> Europe > United Kingdom > England > Essex > Related Images

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > England > York

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> North America > United States of America > New York > Related Images


EDITORS COMMENTS
This portrait, titled "Portrait of a Young Man, 1588" is a remarkable piece by Nicholas Hilliard. The print showcases the exquisite craftsmanship and attention to detail that made Hilliard one of the most renowned miniature painters of his time. The subject of this portrait is believed to be Robert Devereux, the Second Earl of Essex. Dressed in an elaborate costume adorned with intricate lace and jewelry, he exudes an air of elegance and sophistication. The gold inscription on the painting reveals that it was created in 1588 when Devereux was just 22 years old. Hilliard's mastery is evident in every brushstroke, capturing not only the physical likeness but also conveying the sitter's status as a member of English aristocracy. The oval shape adds a sense of intimacy to the composition while highlighting Devereux's regal presence. As we gaze upon this stunning artwork, we are transported back to Elizabethan England, where courtiers like Devereux played significant roles in shaping history. This portrait serves as a testament to their influence and power during this vibrant period. Displayed at the Metropolitan Museum of Art in New York City, this print allows us to appreciate Hilliard's exceptional talent and experience firsthand what it meant to be part of Tudor society. It reminds us that art has always been intertwined with politics and social hierarchy—a visual representation that transcends time and continues to captivate audiences today.

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