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Fine Art Print : Anglo-Indian Life, on the Steps of a Bombay Hotel (engraving)

Anglo-Indian Life, on the Steps of a Bombay Hotel (engraving)



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Anglo-Indian Life, on the Steps of a Bombay Hotel (engraving)

1592256 Anglo-Indian Life, on the Steps of a Bombay Hotel (engraving) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: Anglo-Indian Life, on the Steps of a Bombay Hotel. Illustration for The Illustrated London News, 14 November 1891.
R Caton Woodville); Look and Learn / Illustrated Papers Collection

Media ID 23393090

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Bombay City Of Bombay Mumbai Steps Inida


20"x16" (+3" Border) Fine Art Print

Step back in time with our exquisite Anglo-Indian Life print from Bridgeman Images' Media Storehouse. This captivating engraving, titled "On the Steps of a Bombay Hotel," depicts the rich and intriguing Anglo-Indian culture of the late 19th century. The image, created by renowned artist Richard Caton Woodville II after an original work, captures the essence of the bustling Bombay hotel scene, filled with Anglo-Indian figures engaged in lively conversation. Add this stunning work of art to your collection and bring the history and charm of Anglo-Indian life into your home or office.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 37.6cm (20" x 14.8")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Amedee (after) Forestier

> Fine Art Finder > Artists > Richard Caton II (after) Woodville

> Arts > Artists > W > Caton Woodville

> Arts > Artists > W > Richard Caton Woodville

> Arts > Realistic drawings > Still life artwork > Fine art

> Asia > India > Mumbai

> Asia > India > Related Images


EDITORS COMMENTS
This engraving titled "Anglo-Indian Life, on the Steps of a Bombay Hotel" takes us back to the vibrant streets of 19th-century Bombay (now Mumbai), India. The artist, Richard Caton Woodville II, beautifully captures a snapshot of daily life in this bustling city. The scene unfolds on the steps of a grand hotel, where people from different walks of life gather and interact. The diverse group represents the unique blend of Anglo-Indian culture that thrived during this era. Men dressed in traditional Indian attire converse with British officers donning their colonial uniforms, while women adorned in colorful saris add an air of elegance to the setting. Woodville's attention to detail is remarkable as he portrays various aspects of Indian culture. From street vendors selling their wares to rickshaws passing by and ornate architecture in the background, every element adds depth and authenticity to this lively depiction. Through this engraving, we catch a glimpse into the rich tapestry that was Anglo-Indian life at that time – a fusion of two distinct cultures coexisting harmoniously amidst the vibrant chaos of Bombay's streets. This print serves as both an artistic masterpiece and historical documentation, offering viewers an opportunity to immerse themselves in a bygone era filled with cultural exchange and diversity. It reminds us that even within colonial contexts, societies can find ways to embrace differences and create something truly unique.

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