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Fine Art Print > Europe > Italy > Friuli-Venezia Giulia > Trieste

Fine Art Print : Alienation #2

Alienation #2



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Alienation #2

Andrea Comari

Media ID 32515054

Brutalism Concrete Housing Public Town Trieste Brutalist Quad Quadrilateral


21"x14" (+3" Border) Fine Art Print

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 53.3cm x 35.5cm (21" x 14")

Estimated Product Size is 68.6cm x 50.8cm (27" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> 1x Gallery > Creative edit

> Europe > Italy > Friuli-Venezia Giulia > Trieste


EDITORS COMMENTS
Alienation #2 (Andrea Comari) captures the essence of urban solitude in a mesmerizing display of architectural brilliance. This thought-provoking photo print, showcased at 1x Gallery, transports us to the heart of Trieste's public housing district - an enigmatic landscape where concrete structures rise like monoliths against the sky. The image invites us to ponder upon the intricate relationship between humans and their built environment. The repetitive pattern of windows on these brutalist buildings creates a sense of uniformity, while simultaneously highlighting each individual's isolation within their own dwelling. As we gaze into these windows, we catch glimpses of lives lived behind closed doors - fragments that hint at stories untold. Rozzol Melara Quad stands as a testament to modernist architecture with its bold lines and geometric forms. It symbolizes both progress and detachment from nature, reflecting the rapid urbanization that defines our contemporary world. Yet amidst this starkness, there is an undeniable beauty in the simplicity and functionality of these residential blocks. Comari skillfully captures this dichotomy through his lens; he masterfully frames each structure against a backdrop that mirrors its cold austerity yet also reveals hints of warmth and humanity lurking within. In doing so, he challenges us to question our place within such environments: Are we merely inhabitants or are we truly connected? This photograph serves as a reminder that even in bustling cities filled with towering edifices, moments of introspection can be found if one takes time

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