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Self-Portrait with Two Pupils, Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond

Self-Portrait with Two Pupils, Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond


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Self-Portrait with Two Pupils, Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond

3468987 Self-Portrait with Two Pupils, Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond, 1785 (oil on canvas) by Labille-Guiard, Adelaide (c.1749-1803); 210.8x151.1 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Marie Gabrielle Capet (1761a'1818) and Marie Marguerite Carreaux de Rosemond (died 1788)
In 1783, when Labille-Guiard and Vigee Le Brun were admitted to the French Academie Royale, women artists were limited to four. This may be a propaganda piece, arguing for women members.); French, out of copyright

Media ID 18261395

© Metropolitan Museum of Art, New York, USA / Bridgeman Images

Academy Ancien Regime Easel Equal Rights Equality Feminism Feminist Group Portrait Neo Classicism Neoclassical Neoclassicism Palette Propaganda Pupil Rococo Royal Academician Royal Academy Teacher Neo Classical Teaching


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> Arts > Art Movements > Neoclassicism

> Arts > Art Movements > Rococo

> Arts > Artists > L > Adelaide Labille-Guiard

> Arts > Fine Art

> Arts > Portraits > Classical portrait gallery > Portrait art

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> Fine Art Finder > Artists > Adelaide Labille-Guiard

> Fine Art Finder > Exhibitions,artists Studios,private

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
The captivating self-portrait by Adelaide Labille-Guiard, titled "Self-Portrait with Two Pupils" showcases the artist seated at her easel alongside her two talented pupils, Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond. Painted in 1785 during a time when women artists faced significant limitations, this masterpiece serves as a powerful statement advocating for gender equality within the art world. Labille-Guiard's portrayal of herself exudes confidence and authority as she proudly assumes the role of teacher to her young protégés. The composition is meticulously arranged, highlighting each woman's individuality while emphasizing their collective strength. Dressed in elegant attire that reflects the fashion of the era, they epitomize grace and sophistication. This neoclassical painting not only celebrates female talent but also challenges societal norms by suggesting that women are just as capable as men in artistic pursuits. Labille-Guiard skillfully employs subtle symbolism throughout the artwork; from the carefully positioned palette to the studio setting adorned with classical elements, every detail reinforces her message of equality. Displayed at New York's Metropolitan Museum of Art, this remarkable piece continues to inspire viewers with its feminist undertones and timeless beauty. Labille-Guiard's legacy lives on through this extraordinary portrait which reminds us all of the importance of recognizing and empowering women artists throughout history.

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