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The Actor Bando Hikosaburo as the Daughter of Wada, a Nobleman (woodblock print) (recto

The Actor Bando Hikosaburo as the Daughter of Wada, a Nobleman (woodblock print) (recto


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The Actor Bando Hikosaburo as the Daughter of Wada, a Nobleman (woodblock print) (recto

LMG144575 The Actor Bando Hikosaburo as the Daughter of Wada, a Nobleman (woodblock print) (recto) (see 144576 for verso) by Kunisada, Utagawa (Toyokuni III) (1786-1865); 37.8x25.7 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; Japanese, out of copyright

Media ID 22783292

© Leeds Museums and Galleries / Bridgeman Images

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EDITORS COMMENTS
This woodblock print, titled "The Actor Bando Hikosaburo as the Daughter of Wada, a Nobleman" transports us back to the vibrant world of traditional Japanese theater. Created by Kunisada Utagawa (Toyokuni III), a renowned ukiyo-e artist from the 19th century, this artwork showcases his mastery in capturing theatrical performances. In this particular scene, we witness Bando Hikosaburo skillfully portraying a female character known as the Daughter of Wada. Dressed in an exquisite kimono adorned with intricate patterns and delicate accessories, Hikosaburo embodies grace and elegance. The attention to detail is remarkable; every fold of fabric and brushstroke contributes to the overall beauty of this print. Kunisada's woodblock technique adds depth and texture to the image, enhancing its visual impact. The composition draws our eyes towards Hikosaburo's expressive face as he assumes his role on stage. Through his portrayal, we are reminded of kabuki theater's rich history and its tradition of male actors performing female roles. "The Actor Bando Hikosaburo as the Daughter of Wada" serves not only as a stunning piece of art but also offers insight into Japanese culture during that era. It captures both the allure and complexity surrounding gender identity within traditional theater practices. As we admire this print today at Leeds Museums and Galleries' Art Gallery in the United Kingdom, it stands as a testament to Kun

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