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A Rakes Progress II: The Rakes Levee, 1733 (oil on canvas)
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A Rakes Progress II: The Rakes Levee, 1733 (oil on canvas)
SJS72327 A Rakes Progress II: The Rakes Levee, 1733 (oil on canvas) by Hogarth, William (1697-1764); 62.2x75 cm; Courtesy of the Trustees of Sir John Soanes Museum, London; (add.info.: A Rakes Progress, series of 8 charting the decline and fall of Tom Rakewell the spendthrift son of a rich miserly merchant
Rakewell at his morning levee surrounded by members of various professions and tradesmen vying for his custom, including garden designer Charles Bridgeman (1690-1738), composer George Frederic Handel (1685-1759); fencing master (Dubois?), prizefighter (James Figg?), a dancing master); eSir John Soanes Museum; English, out of copyright
Media ID 22598246
© Sir John Soane's Museum / Bridgeman Images
Aristocratic Aspirational Avarice Cautionary Tale Dandy Danger Designers Downfall Drawing Room Entourage Extravagance Fencing Fool Fortune Greed Gullible Heir High Society Jockey Moral Moral Tale Morality Morality Tale Morning Naive Parody Patronage Piano Profligate Prosperity Rake Social Climber Social Satire Swordsman Tailor Tom Rakewell Town House Vulnerability Vulnerable Pretentious
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A Rake's Progress II - The Rake's Levee, 1733
EDITORS COMMENTS
is a captivating oil painting by William Hogarth that tells the cautionary tale of Tom Rakewell, a spendthrift son of a wealthy merchant. In this particular scene, we find Rakewell at his morning levee, surrounded by an entourage of individuals from various professions and tradesmen vying for his patronage. The composition showcases the extravagance and pretentiousness of high society during the Georgian era. As Rakewell sits in his opulent drawing room adorned with lavish decorations, he is oblivious to the moral downfall that awaits him. His vulnerability and gullibility are evident as he interacts with characters such as a fencing master, prizefighter, dancing master, and even renowned composer George Frederic Handel. Hogarth's satirical approach highlights the dangers of urban life and excessive indulgence. Through clever caricature and social satire, he exposes the greed and folly inherent in those who aspire to climb the social ladder without considering their moral responsibilities. This painting serves as both a parody of fashionable trends and a moral tale warning against profligacy. It captures not only the extravagant fashions but also portrays London society in all its complexity – from aspiring social climbers to hangers-on seeking prosperity through association with wealth. With its intricate details and vibrant colors, "A Rake's Progress II: The Rake's Levee" invites viewers into an engrossing narrative about wealth, morality, vulnerability, and ultimately downfall.
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