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A General View of Bath, from Bath Illustrated by a Series of Views

A General View of Bath, from Bath Illustrated by a Series of Views


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A General View of Bath, from Bath Illustrated by a Series of Views

STC103805 A General View of Bath, from Bath Illustrated by a Series of Views, engraved by John Hill (1770-1850) pub. by William Miller, 1805 (aquatint) by Nattes, John Claude (c.1765-1822) (after); Private Collection; The Stapleton Collection; English, out of copyright

Media ID 22343186

© The Stapleton Collection / Bridgeman Images

Crescent Jane Austen Regency


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> Fine Art Finder > Town & Village Scenes: British


EDITORS COMMENTS
This print titled "A General View of Bath" takes us back in time to the elegant and regal cityscape of Bath during the early 19th century. The image, engraved by John Hill and published by William Miller in 1805, showcases the exquisite aquatint technique that brings out every intricate detail of this architectural marvel. The landscape unfolds before our eyes, revealing a picturesque crescent nestled amidst the town's enchanting surroundings. Bath's iconic Georgian architecture is on full display, with its grand buildings exuding an air of sophistication and refinement. It is as if we have stepped into a scene from one of Jane Austen's novels, where characters would stroll along these very streets adorned in their finest attire. As we gaze upon this remarkable piece from Nattes' collection, it becomes evident why Bath has long been celebrated for its beauty and charm. The composition captures not only the physical splendor but also the essence of a bygone era when elegance reigned supreme. This print transports us back to a time when life moved at a slower pace; where people gathered at tea houses or promenaded through lush gardens while engaging in lively conversations about literature or politics. It serves as a reminder that even amidst modernity, there is still value in appreciating history and preserving architectural treasures like those found within this magnificent cityscape.

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