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Death comes for the Empress, engraved by Georg Scharffenberg, from Der Todten Tanz
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Death comes for the Empress, engraved by Georg Scharffenberg, from Der Todten Tanz
KW278027 Death comes for the Empress, engraved by Georg Scharffenberg, from Der Todten Tanz, published Basel, 1843 (litho) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: The Dance of Death; Totentanz; ); Ken Welsh; German, out of copyright
Media ID 12786371
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Danse Macabre Grim Reaper Ladies In Waiting Mortality Northern Renaissance
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EDITORS COMMENTS
In this print titled "Death comes for the Empress" we are transported to a hauntingly beautiful scene from the past. Engraved by Georg Scharffenberg and based on the original work by Holbein the Younger, this image is part of Der Todten Tanz, also known as The Dance of Death. The composition depicts an eerie encounter between mortality and royalty within the walls of a grand palace. As we gaze upon this northern Renaissance woodcut, our eyes are drawn to a female figure, presumably the empress herself. Dressed in regal attire, she stands frozen in fear as Death approaches her with his skeletal form. The atmosphere within the court is palpable; ladies-in-waiting observe with trepidation while surrounded by opulent furnishings that contrast sharply with their impending doom. This macabre dance reminds us that death spares no one, regardless of status or wealth. Through intricate details and masterful craftsmanship, Scharffenberg skillfully captures both beauty and darkness in equal measure. The fine lines etched into each character's expression tell stories of mortality's inevitable arrival. This remarkable piece serves as a powerful reminder of our own transience and invites contemplation on life's fleeting nature. It transports us back to medieval times when such imagery was prevalent, reminding us that even centuries later, art can still provoke introspection about our own mortality.
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