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Catholic town in 1440 and the same town in 1840 (engraving)

Catholic town in 1440 and the same town in 1840 (engraving)


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Catholic town in 1440 and the same town in 1840 (engraving)

XJF3058208 Catholic town in 1440 and the same town in 1840 (engraving) by Pugin, Augustus Welby (1812-52); Private Collection; (add.info.: In his book Contrasts : or a parallel between the noble edifices of the middle ages, and corresponding buildings of the present day; shewing the present decay of taste Pugin draws an unfavourable comparison between the harmony of the medieval Catholic town and the non-conformist industrial one. ); English, out of copyright

Media ID 12840555

© www.bridgemanimages.com

Chapel Contrast Contrasted Factories Guildhall Modern Monastery Revival Skyline Townscape Warehouses Workhouse


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > England

> Architecture > Industrial

> Architecture > Styles > Gothic Architecture

> Architecture > Styles > Victorian Architecture

> Architecture > Towers > Churches

> Architecture > Towers > Related Images

> Arts > Art Movements > Medieval Art

> Arts > Artists > P > Augustus Pugin

> Arts > Artists > P > Augustus Welby Pugin

> Fine Art Finder > Artists > Augustus Welby Pugin


EDITORS COMMENTS
This print showcases the stark contrast between a Catholic town in 1440 and the same town in 1840. The engraving, created by Augustus Welby Pugin, takes us on a visual journey through time, revealing the evolution of architecture and society over four centuries. In his book Contrasts: or a parallel between the noble edifices of the middle ages, and corresponding buildings of the present day; showing the present decay of taste, Pugin presents an unfavorable comparison between these two periods. He highlights how medieval Catholic towns exuded harmony and beauty while criticizing non-conformist industrial towns for their lack thereof. The image captures an ancient skyline transformed by progress. In 1440, we see churches, monasteries, guildhalls, and towers dominating the landscape—a testament to religious devotion and communal spirit. Fast forward to 1840, where towering factories replace these sacred structures as symbols of industry's rise. Pugin's engraving invites contemplation on Victorian England's changing urban fabric—where warehouses stand alongside places of worship like chapels—and raises questions about societal values during this period. Through this artwork's contrasting elements—ancient versus modern architecture—we witness both continuity and rupture within British history. It serves as a reminder that our built environment reflects not only our technological advancements but also our cultural shifts. This historical gem from Fine Art Finder prompts us to reflect on how far we have come while urging us not to forget our roots amidst rapid progress.

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