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The Caneing in Conduit Street, published by Hannah Humphrey, 1796 (hand-coloured etching)

The Caneing in Conduit Street, published by Hannah Humphrey, 1796 (hand-coloured etching)


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The Caneing in Conduit Street, published by Hannah Humphrey, 1796 (hand-coloured etching)

XCF306000 The Caneing in Conduit Street, published by Hannah Humphrey, 1796 (hand-coloured etching) by Gillray, James (1757-1815); Private Collection; (add.info.: Thomas Pitt, Lord Camelford (1775-1804) attacks George Vancouver (1758-98) in the street; revenge for Pitts flogging on Vancouvers ship Discovery in 1791; ); English, out of copyright

Media ID 12840904

© www.bridgemanart.com

Aggression Aggressive Anger Angry Assault Bad Behaviour Breeches Bystander Bystanders Captain Cockade Document Encounter Enraged Frock Coat Hanoverian Hitting Laughing Naval Officer Onlooker Pamphlet Peer Political Satire Restraining Speech Bubble Striking Tricorn Urchin Urchins Vengeance Warehouse Brawl Hanovarian Holding Back


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The Caneing in Conduit Street

EDITORS COMMENTS
is a captivating and humorous hand-coloured etching by James Gillray, published by Hannah Humphrey in 1796. The print captures a dramatic street scene where Thomas Pitt, Lord Camelford, seeks revenge on George Vancouver for his flogging on the ship Discovery in 1791. In this lively depiction of settling scores, Lord Camelford can be seen furiously attacking Vancouver with a raised cane while bystanders intervene to restrain him. The image showcases the clash between two prominent figures - a peer from the aristocracy and a naval officer - highlighting themes of vengeance and aggression. The caricature-like portrayal adds an element of satire to the piece, as Gillray's exaggerated style emphasizes the bellicose nature of this encounter. Surrounding the main characters are speech bubbles capturing witty remarks from onlookers and mischievous children laughing at the spectacle. The inclusion of a warehouse with piles of shackles serves as a reminder of harsh discipline during that era. This political satire reflects both Georgian society and Hanoverian politics through its clever commentary on bad behavior within high-ranking circles. Overall, "The Caneing in Conduit Street" is not only an amusing portrait but also offers insight into historical dynamics and social norms prevalent during this time period.

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