Fraud Blocker Skip to main content

Home > Fine Art Finder > Britain

Britain Collection (page 8)

1,990 items

Background imageBritain Collection: St Peters Church and the Parsonage in St Peters Street (pencil & w / c on paper)

St Peters Church and the Parsonage in St Peters Street (pencil & w / c on paper)
2832593 St Peters Church and the Parsonage in St Peters Street (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Temple Church (pencil & w / c on paper)

Temple Church (pencil & w / c on paper)
2831596 Temple Church (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge

Background imageBritain Collection: Temple Church (pencil & w / c on paper)

Temple Church (pencil & w / c on paper)
2831594 Temple Church (pencil & w/c on paper) by Holmes, George (1776-1852); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge

Background imageBritain Collection: Bathurst Basin (pencil & w / c on paper)

Bathurst Basin (pencil & w / c on paper)
2831593 Bathurst Basin (pencil & w/c on paper) by Cashin, Edward (fl.1823-26); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge

Background imageBritain Collection: South side of the Gateway at Arnos Vale, showing figures

South side of the Gateway at Arnos Vale, showing figures
2832557 South side of the Gateway at Arnos Vale, showing figures, 1826 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Keynsham from Durley Hill, 1823 (w / c over pencil on paper)

Keynsham from Durley Hill, 1823 (w / c over pencil on paper)
2832506 Keynsham from Durley Hill, 1823 (w/c over pencil on paper) by Johnson, James (1803-34); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Judge Fosters (Recorder of Bristol) Country House near Ashley Barn

Judge Fosters (Recorder of Bristol) Country House near Ashley Barn
2832503 Judge Fosters (Recorder of Bristol) Country House near Ashley Barn (Lower Ashley House), 1822 (w/c over pencil on paper) by Johnson, James (1803-34); Bristol Museum and Art Gallery

Background imageBritain Collection: Fairfaxs Quarters, Montpelier Farm, at the Siege of Bristol

Fairfaxs Quarters, Montpelier Farm, at the Siege of Bristol
2832498 Fairfaxs Quarters, Montpelier Farm, at the Siege of Bristol, 1828 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery

Background imageBritain Collection: Remains of Old Cross, near Angel Inn, Long Ashton, 1822 (pencil & w / c on paper)

Remains of Old Cross, near Angel Inn, Long Ashton, 1822 (pencil & w / c on paper)
2832487 Remains of Old Cross, near Angel Inn, Long Ashton, 1822 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: St Georges Church, Kingswood, 1823 (pencil & w / c on paper)

St Georges Church, Kingswood, 1823 (pencil & w / c on paper)
2832486 St Georges Church, Kingswood, 1823 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Hotwell House from Clifton Rocks, c. 1815 (pencil & w / c on paper)

Hotwell House from Clifton Rocks, c. 1815 (pencil & w / c on paper)
2832460 Hotwell House from Clifton Rocks, c.1815 (pencil & w/c on paper) by Holmes, George (1776-1852); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Looking up Nightingale Valley, c. 1825 (pencil & w / c on paper)

Looking up Nightingale Valley, c. 1825 (pencil & w / c on paper)
2832456 Looking up Nightingale Valley, c.1825 (pencil & w/c on paper) by Eden, John Reverend (1766-1840); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: View from the East End of Mardyke towards the Limekiln Glasshouse

View from the East End of Mardyke towards the Limekiln Glasshouse
2832453 View from the East End of Mardyke towards the Limekiln Glasshouse, 1824 (pencil & w/c on paper) by Eden, John Reverend (1766-1840); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Entrance Lock from Floating Harbour to Bathurst Basin, 1822 (pencil & w / c on paper)

Entrance Lock from Floating Harbour to Bathurst Basin, 1822 (pencil & w / c on paper)
2832442 Entrance Lock from Floating Harbour to Bathurst Basin, 1822 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: View showing Hare & Sons Floor Cloth Manufactory (outside of Temple Gate

View showing Hare & Sons Floor Cloth Manufactory (outside of Temple Gate
2832438 View showing Hare & Sons Floor Cloth Manufactory (outside of Temple Gate) and Redcliffe Church, 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery

Background imageBritain Collection: Totterdown and St Philips Marsh, looking towards Bristol

Totterdown and St Philips Marsh, looking towards Bristol
2832437 Totterdown and St Philips Marsh, looking towards Bristol, 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: View from Acramans Timber-yard, Wapping, with a view towards the Cathedral

View from Acramans Timber-yard, Wapping, with a view towards the Cathedral
2832405 View from Acramans Timber-yard, Wapping, with a view towards the Cathedral, 1826 (pencil and watercolour on paper) by Rowbotham

Background imageBritain Collection: Shipyard at Canons Marsh and Entrance to Frome, looking towards Clifton

Shipyard at Canons Marsh and Entrance to Frome, looking towards Clifton
2832400 Shipyard at Canons Marsh and Entrance to Frome, looking towards Clifton, 1826 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery

Background imageBritain Collection: Cumberland Basin seen from field near Clifton Church, 1826 (pencil & w / c on paper)

Cumberland Basin seen from field near Clifton Church, 1826 (pencil & w / c on paper)
2832399 Cumberland Basin seen from field near Clifton Church, 1826 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: View from Prince Street Bridge, showing the paddle steamer Severn and the

View from Prince Street Bridge, showing the paddle steamer Severn and the
2832397 View from Prince Street Bridge, showing the paddle steamer Severn and the Cambridge, 1826 (pencil & w/c on paper) by Rowbotham

Background imageBritain Collection: West End of Redcliffe Parade, showing the entrance gates to the Bathurst Basin

West End of Redcliffe Parade, showing the entrance gates to the Bathurst Basin
2832394 West End of Redcliffe Parade, showing the entrance gates to the Bathurst Basin, 1827 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery

Background imageBritain Collection: The Overfall Dam, near Floating Dock, and Cumberland Basin, 1827 (w / c & pencil on paper)

The Overfall Dam, near Floating Dock, and Cumberland Basin, 1827 (w / c & pencil on paper)
2832391 The Overfall Dam, near Floating Dock, and Cumberland Basin, 1827 (w/c & pencil on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery

Background imageBritain Collection: The Butts, near Tomss (Tombs ) Dock, 1825 (pencil & w / c on paper)

The Butts, near Tomss (Tombs ) Dock, 1825 (pencil & w / c on paper)
2832383 The Butts, near Tomss (Tombs ) Dock, 1825 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Drawbridge, looking South, 1826 (pencil on paper)

Drawbridge, looking South, 1826 (pencil on paper)
2832379 Drawbridge, looking South, 1826 (pencil on paper) by Jackson, Samuel (1794-1868); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Tabernacle Bridge (first bridge from the Ropewalk), 1821 (pencil & w / c on paper)

Tabernacle Bridge (first bridge from the Ropewalk), 1821 (pencil & w / c on paper)
2832365 Tabernacle Bridge (first bridge from the Ropewalk), 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Needless Bridge, St Jamess Back on left, and Bridewell Bastion

Needless Bridge, St Jamess Back on left, and Bridewell Bastion
2832360 Needless Bridge, St Jamess Back on left, and Bridewell Bastion, 1820 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: The Junction of the Frome and Castle Ditch, with the Back of Newgate and Granger

The Junction of the Frome and Castle Ditch, with the Back of Newgate and Granger
2832359 The Junction of the Frome and Castle Ditch, with the Back of Newgate and Grangers Cooperage (formerly Robert Adams House), 1820 (pencil & w/c on paper) by O Neill

Background imageBritain Collection: Part of Pithay and St Jamess Back, 1820 (pencil & w / c on paper)

Part of Pithay and St Jamess Back, 1820 (pencil & w / c on paper)
2832357 Part of Pithay and St Jamess Back, 1820 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Nelsons Bridge from Duck Lane, 1821 (pencil & w / c on paper)

Nelsons Bridge from Duck Lane, 1821 (pencil & w / c on paper)
2832340 Nelsons Bridge from Duck Lane, 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Castle Mill, 1821 (pencil & w / c on paper)

Castle Mill, 1821 (pencil & w / c on paper)
2832339 Castle Mill, 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge

Background imageBritain Collection: Albion Bridge on the Frome, 1823 (pencil & w / c on paper)

Albion Bridge on the Frome, 1823 (pencil & w / c on paper)
2832337 Albion Bridge on the Frome, 1823 (pencil & w/c on paper) by Cashin, Edward (fl.1823-26); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Corner of the Horse Fair (pencil & w / c on paper)

Corner of the Horse Fair (pencil & w / c on paper)
2832328 Corner of the Horse Fair (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Houses in Lewins Mead (opposite to M2855) (pencil & w / c on paper)

Houses in Lewins Mead (opposite to M2855) (pencil & w / c on paper)
2832318 Houses in Lewins Mead (opposite to M2855) (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Merchant Taylors Almshouses, Merchant Street (pencil & w / c on paper)

Merchant Taylors Almshouses, Merchant Street (pencil & w / c on paper)
2832308 Merchant Taylors Almshouses, Merchant Street (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Spring Hill from King Square (pencil & w / c on paper)

Spring Hill from King Square (pencil & w / c on paper)
2832290 Spring Hill from King Square (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Castle Mill Street (pencil & w / c on paper)

Castle Mill Street (pencil & w / c on paper)
2832169 Castle Mill Street (pencil & w/c on paper) by Cashin, Edward (fl.1823-26); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge

Background imageBritain Collection: Back of the George Inn, Narrow Wine Street, on City Wall (pencil & w / c on paper

Back of the George Inn, Narrow Wine Street, on City Wall (pencil & w / c on paper
2832165 Back of the George Inn, Narrow Wine Street, on City Wall (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Exterior of the Mint (now St Peters Hospital) (pencil & w / c on paper)

Exterior of the Mint (now St Peters Hospital) (pencil & w / c on paper)
2832147 Exterior of the Mint (now St Peters Hospital) (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Entrance from Peter Street to Mint (now St Peters Hospital) (pencil & w / c on paper)

Entrance from Peter Street to Mint (now St Peters Hospital) (pencil & w / c on paper)
2832127 Entrance from Peter Street to Mint (now St Peters Hospital) (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: West entrance to St Peters Church (pencil & w / c on paper)

West entrance to St Peters Church (pencil & w / c on paper)
2832125 West entrance to St Peters Church (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Marsh Street (pencil & w / c on paper)

Marsh Street (pencil & w / c on paper)
2831976 Marsh Street (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge

Background imageBritain Collection: Alderskey Lane (pencil & w / c on paper)

Alderskey Lane (pencil & w / c on paper)
2831974 Alderskey Lane (pencil & w/c on paper) by Delamotte, George Orleans (fl.1809-21); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Bouchers House in Christmas Street (pencil & w / c on paper)

Bouchers House in Christmas Street (pencil & w / c on paper)
2831910 Bouchers House in Christmas Street (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: North Side of St Johns Church (pencil & w / c on paper)

North Side of St Johns Church (pencil & w / c on paper)
2831864 North Side of St Johns Church (pencil & w/c on paper) by Homes, Marcus H. (1803-1854); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: St Johns Conduit and Tower Lane (pencil & w / c on paper)

St Johns Conduit and Tower Lane (pencil & w / c on paper)
2831858 St Johns Conduit and Tower Lane (pencil & w/c on paper) by Delamotte, George Orleans (fl.1809-21); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: 41 High Street (pencil & w / c on paper)

41 High Street (pencil & w / c on paper)
2831852 41 High Street (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge

Background imageBritain Collection: Discovery of east window of All Saints behind High Street (after the fire

Discovery of east window of All Saints behind High Street (after the fire
2831847 Discovery of east window of All Saints behind High Street (after the fire) (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageBritain Collection: Tower Lane (pencil & w / c on paper)

Tower Lane (pencil & w / c on paper)
2831839 Tower Lane (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2003, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site