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Britain Collection (page 42)

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Background imageBritain Collection: View of Dover Castle (engraving) (b / w photo)

View of Dover Castle (engraving) (b / w photo)
XJF280598 View of Dover Castle (engraving) (b/w photo) by English School; Private Collection; English, out of copyright

Background imageBritain Collection: Eton seen from Windsor Castle terrace, illustration from Memoirs of Eminent Etonians

Eton seen from Windsor Castle terrace, illustration from Memoirs of Eminent Etonians
KW285435 Eton seen from Windsor Castle terrace, illustration from Memoirs of Eminent Etonians, by Sir Edward Creasy published London 1876 (litho) by English School

Background imageBritain Collection: Carisbrook Castle, Isle of Wight (litho) (b / w photo)

Carisbrook Castle, Isle of Wight (litho) (b / w photo)
XJF273143 Carisbrook Castle, Isle of Wight (litho) (b/w photo) by English School, (19th century); Private Collection; English, out of copyright

Background imageBritain Collection: Windermere: from Orrest Head (engraving)

Windermere: from Orrest Head (engraving)
BAL28366 Windermere: from Orrest Head (engraving) by Pyne, James Baker (1800-70); Dove Cottage Trust, Grasmere, Cumbria, UK; English, out of copyright

Background imageBritain Collection: Lake Windermere, 1786 (w / c with pen & ink on paper)

Lake Windermere, 1786 (w / c with pen & ink on paper)
XYC282767 Lake Windermere, 1786 (w/c with pen & ink on paper) by Towne, Francis (1740-1816); 15.6x47 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageBritain Collection: Inner view and gate of Bodiam Castle, Sussex, 27th May 1785 (colour engraving)

Inner view and gate of Bodiam Castle, Sussex, 27th May 1785 (colour engraving)
XCF274311 Inner view and gate of Bodiam Castle, Sussex, 27th May 1785 (colour engraving) by English School, (18th century); Private Collection; (add.info)

Background imageBritain Collection: Bodiam Castle, Sussex, 7th January 1778 (colour engraving)

Bodiam Castle, Sussex, 7th January 1778 (colour engraving)
XCF274307 Bodiam Castle, Sussex, 7th January 1778 (colour engraving) by English School, (18th century); Private Collection; (add.info.: built in 1385 by Sir Edward Dalyngrigge; ); English

Background imageBritain Collection: The Avon Gorge, looking over Clifton, c. 1820 (w / c & bodycolour over graphite with

The Avon Gorge, looking over Clifton, c. 1820 (w / c & bodycolour over graphite with
XYC265045 The Avon Gorge, looking over Clifton, c.1820 (w/c & bodycolour over graphite with scraping out on wove paper) by Danby, Francis (1793-1861); 48.9x73.7 cm; Yale Center for British Art

Background imageBritain Collection: 2662529; out of copyright

2662529; out of copyright

Background imageBritain Collection: Stoke Poges Church (oil on panel) (recto of 261372)

Stoke Poges Church (oil on panel) (recto of 261372)
XYC261371 Stoke Poges Church (oil on panel) (recto of 261372) by Churchyard, Thomas (1798-1865); 11.1x14.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageBritain Collection: Crickhowell, Breconshire, c. 1800 (oil on canvas)

Crickhowell, Breconshire, c. 1800 (oil on canvas)
XYC261300 Crickhowell, Breconshire, c.1800 (oil on canvas) by English School, (19th century); 23.5x35.6 cm; Yale Center for British Art, Paul Mellon Collection

Background imageBritain Collection: Water at Wentworth, Yorkshire, 1802 (colour litho)

Water at Wentworth, Yorkshire, 1802 (colour litho)
XCF259786 Water at Wentworth, Yorkshire, 1802 (colour litho) by English School, (19th century); Bibliotheque des Arts Decoratifs, Paris, France; English, out of copyright

Background imageBritain Collection: Underriver Hills, Near Sevenoaks, Kent, from the Grounds of J. Herries, Esq. c. 1840

Underriver Hills, Near Sevenoaks, Kent, from the Grounds of J. Herries, Esq. c. 1840
XYC258607 Underriver Hills, Near Sevenoaks, Kent, from the Grounds of J. Herries, Esq. c.1840 (pen & ink with w/c over graphite on paper) by Palmer

Background imageBritain Collection: An Arch at Holy Island, Northumberland, 1809 (graphite & w / c on paper)

An Arch at Holy Island, Northumberland, 1809 (graphite & w / c on paper)
XYC252135 An Arch at Holy Island, Northumberland, 1809 (graphite & w/c on paper) by Varley, John (1778-1842); 29.2x24.1 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageBritain Collection: Harbledown, near Canterbury, 1757 (w / c with pen & grey ink over graphite on paper)

Harbledown, near Canterbury, 1757 (w / c with pen & grey ink over graphite on paper)
XYC252082 Harbledown, near Canterbury, 1757 (w/c with pen & grey ink over graphite on paper) by Skelton, Jonathan (fl.1754-58); 20.3x54 cm; Yale Center for British Art, Paul Mellon Collection

Background imageBritain Collection: View of Skiddaw and Derwentwater, c. 1780 (w / c & pen over pencil)

View of Skiddaw and Derwentwater, c. 1780 (w / c & pen over pencil)
XYC249789 View of Skiddaw and Derwentwater, c.1780 (w/c & pen over pencil) by Farington, Joseph (1747-1821); 48.7x65.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageBritain Collection: A Mountainous View, North Wales, c. 1818 (w / c & graphite on paper)

A Mountainous View, North Wales, c. 1818 (w / c & graphite on paper)
XYC249716 A Mountainous View, North Wales, c.1818 (w/c & graphite on paper) by Cox, David (1783-1859); 20x29.1 cm; Yale Center for British Art, Paul Mellon Fund, USA; English, out of copyright

Background imageBritain Collection: The Junction of the Severn and the Wye with Chepstow in the Distance, 1830 (w / c on paper)

The Junction of the Severn and the Wye with Chepstow in the Distance, 1830 (w / c on paper)
XYC245530 The Junction of the Severn and the Wye with Chepstow in the Distance, 1830 (w/c on paper) by Cox, David (1783-1859); 78.7x106.7 cm; Yale Center for British Art, Paul Mellon Fund

Background imageBritain Collection: The Chapel of the Greyfriars Monastery, Winchester (w / c on paper)

The Chapel of the Greyfriars Monastery, Winchester (w / c on paper)
XYC252140 The Chapel of the Greyfriars Monastery, Winchester (w/c on paper) by Rooker, Michael (Angelo) (1743-1801); 30.6x36.7 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageBritain Collection: A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill (gouache on paper)

A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill (gouache on paper)
XYC238475 A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill (gouache on paper) by Sandby, Paul (1725-1809); 55.2x77.5 cm; Yale Center for British Art, Paul Mellon Collection

Background imageBritain Collection: Remains of Parton Hall, Staffordshire, 1820 (w / c on paper)

Remains of Parton Hall, Staffordshire, 1820 (w / c on paper)
XYC238474 Remains of Parton Hall, Staffordshire, 1820 (w/c on paper) by Varley, Cornelius (1781-1873); Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageBritain Collection: Conway Castle, 1789 (w / c on paper)

Conway Castle, 1789 (w / c on paper)
XYC238469 Conway Castle, 1789 (w/c on paper) by Sandby, Paul (1725-1809); 47.6x64.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageBritain Collection: The Westgate, Canterbury (bodycolour on paper)

The Westgate, Canterbury (bodycolour on paper)
XYC238468 The Westgate, Canterbury (bodycolour on paper) by Sandby, Paul (1725-1809); 41.9x60 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageBritain Collection: Conway Castle (graphite, w / c and gouache on paper mounted on card)

Conway Castle (graphite, w / c and gouache on paper mounted on card)
XYC237814 Conway Castle (graphite, w/c and gouache on paper mounted on card) by Palmer, Samuel (1805-81); 32.7x45.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageBritain Collection: Kidbrooke Park, Kent, formerly attributed to George Lambert (1700-65) c. 1740-50

Kidbrooke Park, Kent, formerly attributed to George Lambert (1700-65) c. 1740-50
XYC237800 Kidbrooke Park, Kent, formerly attributed to George Lambert (1700-65) c.1740-50 (oil on canvas) by English School, (18th century); 76.2x114.9 cm; Yale Center for British Art

Background imageBritain Collection: Lodore Rocks - fall & cottage distance (pen & ink with w / c over graphite on wove paper)

Lodore Rocks - fall & cottage distance (pen & ink with w / c over graphite on wove paper)
XYC232597 Lodore Rocks - fall & cottage distance (pen & ink with w/c over graphite on wove paper) by Farington, Joseph (1747-1821); 38.1x50.8 cm; Yale Center for British Art, Paul Mellon Collection

Background imageBritain Collection: Donatis Comet, Oxford, 7. 30pm, 5th October 1858 (w / c & bodycolour over graphite

Donatis Comet, Oxford, 7. 30pm, 5th October 1858 (w / c & bodycolour over graphite
XYC230497 Donatis Comet, Oxford, 7.30pm, 5th October 1858 (w/c & bodycolour over graphite on paper) by Turner, William (Turner of Oxford) (1789-1862); 25.7x36.5 cm; Yale Center for British Art

Background imageBritain Collection: The Weald of Kent, c. 1827-28 (w / c & gouache on paper)

The Weald of Kent, c. 1827-28 (w / c & gouache on paper)
XYC228890 The Weald of Kent, c.1827-28 (w/c & gouache on paper) by Palmer, Samuel (1805-81); 18.1x27 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageBritain Collection: Durham, c. 1790-1800 (oil on canvas)

Durham, c. 1790-1800 (oil on canvas)
XYC225869 Durham, c.1790-1800 (oil on canvas) by English School, (18th century); 50.8x104.1 cm; Yale Center for British Art, Paul Mellon Collection

Background imageBritain Collection: St Marys Abbey, York, c. 1778 (oil on canvas)

St Marys Abbey, York, c. 1778 (oil on canvas)
XYC225864 St Marys Abbey, York, c.1778 (oil on canvas) by Rooker, Michael (Angelo) (1743-1801); 71x91.5 cm; Yale Center for British Art, New Haven, USA; Paul Mellon Collection; English

Background imageBritain Collection: The Lock at Dedham

The Lock at Dedham
XCF22480 The Lock at Dedham by Watts, Frederick Waters (1800-62); Private Collection; English, out of copyright

Background imageBritain Collection: Rochester Cathedral and Castle, c. 1820-30 (oil on panel)

Rochester Cathedral and Castle, c. 1820-30 (oil on panel)
XYC223184 Rochester Cathedral and Castle, c.1820-30 (oil on panel) by Nash, Frederick (1782-1856); 14x21.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageBritain Collection: Kenilworth Castle, Warwickshire, 1840 (oil on panel)

Kenilworth Castle, Warwickshire, 1840 (oil on panel)
XYC222690 Kenilworth Castle, Warwickshire, 1840 (oil on panel) by Ward, James (1769-1859); 60x118.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageBritain Collection: Otley Bridge on the River Wharfe (oil on canvas)

Otley Bridge on the River Wharfe (oil on canvas)
XYC220943 Otley Bridge on the River Wharfe (oil on canvas) by Hodges, William (1744-97); 60.8x111.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageBritain Collection: View on the River Sid, near Sidmouth, c. 1852 (oil on paper on board)

View on the River Sid, near Sidmouth, c. 1852 (oil on paper on board)
XYC206188 View on the River Sid, near Sidmouth, c.1852 (oil on paper on board) by Constable, Lionel (1828-87); 23.8x30.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageBritain Collection: The Vale of Pencerrig, 1776 (oil on paper laid on canvas)

The Vale of Pencerrig, 1776 (oil on paper laid on canvas)
XYC199907 The Vale of Pencerrig, 1776 (oil on paper laid on canvas) by Jones, Thomas (1743-1803); 23.5x32.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; Welsh, out of copyright

Background imageBritain Collection: Whatman Turkey Mill in Kent, 1794 (gouache, bodycolour, w / c & pencil on paper laid

Whatman Turkey Mill in Kent, 1794 (gouache, bodycolour, w / c & pencil on paper laid
XYC198543 Whatman Turkey Mill in Kent, 1794 (gouache, bodycolour, w/c & pencil on paper laid on canvas) by Sandby, Paul (1725-1809); 69.3x102 cm; Yale Center for British Art, Paul Mellon Fund

Background imageBritain Collection: Windsor Castle seen from the Thames, c. 1700 (oil on canvas)

Windsor Castle seen from the Thames, c. 1700 (oil on canvas)
XYC239856 Windsor Castle seen from the Thames, c.1700 (oil on canvas) by Vorsterman, Johannes (1643-99) (after); 67.6x93.3 cm; Yale Center for British Art, Paul Mellon Collection, USA; Dutch

Background imageBritain Collection: Kirkstall Abbey, Yorkshire, 1747 (oil on canvas)

Kirkstall Abbey, Yorkshire, 1747 (oil on canvas)
XYC174440 Kirkstall Abbey, Yorkshire, 1747 (oil on canvas) by Lambert, George (1700-65); 117.2x110.8 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageBritain Collection: The Grange of Borrodale (pen & ink with w / c over graphite on wove paper)

The Grange of Borrodale (pen & ink with w / c over graphite on wove paper)
XYC232595 The Grange of Borrodale (pen & ink with w/c over graphite on wove paper) by Farington, Joseph (1747-1821); 38.1x50.8 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageBritain Collection: Tynemouth Priory, Northumberland, c. 1792-93 (w / c over pencil on paper)

Tynemouth Priory, Northumberland, c. 1792-93 (w / c over pencil on paper)
XYC165944 Tynemouth Priory, Northumberland, c.1792-93 (w/c over pencil on paper) by Girtin, Thomas (1775-1802); 16.8x21.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageBritain Collection: St. Cuthberts Holy Island, 1797 (w / c over pencil on textured paper)

St. Cuthberts Holy Island, 1797 (w / c over pencil on textured paper)
XYC165940 St. Cuthberts Holy Island, 1797 (w/c over pencil on textured paper) by Girtin, Thomas (1775-1802); 25.4x30.2 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageBritain Collection: Tryfan, Carnarvonshire (w / c heightened with white on paper)

Tryfan, Carnarvonshire (w / c heightened with white on paper)
XYC162477 Tryfan, Carnarvonshire (w/c heightened with white on paper) by Robson, George Fennel (1788-1833); 46.4x76 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageBritain Collection: View at Redbrook in the River Wye, plate 13 from Views of the River Wye, engraved by F

View at Redbrook in the River Wye, plate 13 from Views of the River Wye, engraved by F
XYC159748 View at Redbrook in the River Wye, plate 13 from Views of the River Wye, engraved by F. Jukes, 1802 (aquatint) by Dayes

Background imageBritain Collection: View down the River at the New Weir, plate 13 from Description of the River Wye

View down the River at the New Weir, plate 13 from Description of the River Wye
XYC159746 View down the River at the New Weir, plate 13 from Description of the River Wye, engraved by Theodore Henry Fielding (1781-1851), 1818 (hand coloured aquatint) by Fielding, A.V

Background imageBritain Collection: The Avon Gorge at Sunset (oil on paper)

The Avon Gorge at Sunset (oil on paper)
XYC159628 The Avon Gorge at Sunset (oil on paper) by Danby, Francis (1793-1861); 13.8x16.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageBritain Collection: Windsor Castle from the Thames (oil on millboard)

Windsor Castle from the Thames (oil on millboard)
XYC159625 Windsor Castle from the Thames (oil on millboard) by Daniell, William (1769-1837); 13.7x14.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageBritain Collection: Bodmin Moor, North Cornwall, c. 1825 (pen & ink and w / c on paper)

Bodmin Moor, North Cornwall, c. 1825 (pen & ink and w / c on paper)
XYC159606 Bodmin Moor, North Cornwall, c.1825 (pen & ink and w/c on paper) by Rowlandson, Thomas (1756-1827); 28.6x43.2 cm; Yale Center for British Art, Paul Mellon Collection, USA; English



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