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The Circle of the Lustful: Paolo and Francesca, Inferno, Canto V
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The Circle of the Lustful: Paolo and Francesca, Inferno, Canto V
995605 The Circle of the Lustful: Paolo and Francesca, Inferno, Canto V, illustration to the Divine Comedy by Dante Alighieri, 1827 (engraving) by Blake, William (1757-1827); 32x40.3 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: The Divine Comedy (Italian: Divina Commedia) is an epic poem written by Dante Alighieri between 1308 and his death in 1321. It is divided into three parts: Inferno, Purgatorio, and Paradiso.); eFitzwilliam Museum; English, out of copyright
Media ID 22521026
© Fitzwilliam Museum / Bridgeman Images
Alighieri Canto Circle Comedy Dante Divine Francesca Inferno Lover Lust Lustful Paolo Purgatory Reunited Romanticism Romanticist Sinner Sinners Sins Soul Souls Underworld United Virgil Whirlwind Characters Lovers
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The Circle of the Lustful - Paolo and Francesca, Inferno, Canto V
EDITORS COMMENTS
is a captivating print that brings to life one of the most poignant moments in Dante Alighieri's epic poem, "The Divine Comedy". Created by renowned artist William Blake in 1827, this engraving beautifully captures the essence of love and desire amidst the depths of hell. In this scene, we witness Paolo and Francesca, two ill-fated lovers condemned to the second circle of Hell for their adulterous relationship. As they are caught in an eternal whirlwind symbolizing their uncontrolled passions, their souls remain forever united but tormented. Blake's intricate detailing and use of light and shadow evoke a sense of both beauty and despair. The characters' expressions reflect a mixture of longing and regret as they find themselves trapped in an endless cycle of punishment for succumbing to forbidden desires. This print serves as a powerful reminder that love can be both enchanting and destructive. It explores themes such as temptation, betrayal, and the consequences of indulging in sinful pleasures. Through his artistic interpretation, Blake invites us to contemplate our own desires while pondering the complexities inherent within human relationships. Displayed at Fitzwilliam Museum at University College Cambridge in the UK, this artwork stands as a testament to both Dante's literary genius and Blake's artistic prowess. It continues to captivate viewers with its evocative imagery centuries after its creation.
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