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Paradise Lost: The Rebel Angels. By Dore
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Paradise Lost: The Rebel Angels. By Dore
3787291 Paradise Lost: The Rebel Angels. By Dore by Dore, Gustave (1832-83); (add.info.: Paradise Lost, by John Milton: The rebel angels are summoned to the conclave in Pandaemonium, the capital of hell: Their summons call d From every band and squared regiment, By place or choice, the worthiest : they anon With hundreds and with thousands trooping came Attended. ( Book 1, lines 757 -761). Drawn by Gustave Dore, French artist, b January 6, 1832 - January 23, 1883. Engraved bys Pannemaker.
From Cassells Dores Gallery by Edmund Ollier, published Cassell & Company, Ltd. p. 14.); Lebrecht History
Media ID 22311456
© Lebrecht History / Bridgeman Images
Conclave Dore Gustave Dore Milton Paradise Lost Rebel Seraph Seraphs Tint Tinted Christinaity Francais Literary Arts
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This print titled "Paradise Lost: The Rebel Angels" by Gustave Dore takes us into the depths of John Milton's epic poem. The image depicts the summoning of rebel angels to a conclave in Pandaemonium, the capital of hell. With intricate detail and masterful technique, Dore brings to life this pivotal moment in literary history. The tinted drawing showcases Dore's exceptional talent as a French artist of the 19th century. His skillful use of light and shadow creates a dramatic atmosphere that perfectly captures the intensity and grandeur of Milton's words. As we gaze upon this illustration, we are transported to a realm where biblical figures clash against each other in an eternal struggle between good and evil. The rebellious angels, depicted with both awe-inspiring power and poignant vulnerability, gather together from every corner of hell to answer their summons. Dore's work not only serves as a visual representation of Milton's masterpiece but also stands on its own as a remarkable piece of art. Its rich symbolism invites contemplation on themes such as religion, faith, and human nature. In this print from Fine Art Finder by Bridgeman Images, we witness the fusion of literature and visual arts at its finest. It is an exquisite testament to Dore's genius as well as his contribution to both religious iconography and artistic expression during his time.
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