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Main Street in Samarkand, Early Morning, 1869-70 (oil on canvas)

Main Street in Samarkand, Early Morning, 1869-70 (oil on canvas)


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Main Street in Samarkand, Early Morning, 1869-70 (oil on canvas)

BAL172721 Main Street in Samarkand, Early Morning, 1869-70 (oil on canvas) by Vereshchagin, Vasili Vasilievich (1842-1904); 28.7x40.8 cm; Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

Media ID 12740381

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Atmospheric Central Asia Moslem Muslem Primitive Remote Silk Route Uzbek


FEATURES IN THESE COLLECTIONS

> Architecture > Country > Russia

> Architecture > Related Images

> Architecture > Styles > Islamic Architecture

> Architecture > Styles > Russian Architecture

> Arts > Artists > V > Vasili Vasilievich Vereshchagin

> Arts > Portraits > Pop art gallery > Street art portraits

> Asia > Related Images

> Asia > Uzbekistan > Related Images

> Asia > Uzbekistan > Uzbekistan Heritage Sites > Samarkand

> Europe > Russia > Moscow

> Fine Art Finder > Artists > Vasili Vasilievich Vereshchagin


EDITORS COMMENTS
This print transports us back to the enchanting streets of Samarkand in the early morning of 1869-70. Painted by the talented Vasili Vasilievich Vereshchagin, this oil on canvas masterpiece captures the essence of Main Street in all its glory. The painting, housed at Tretyakov Gallery in Moscow, Russia, showcases a mesmerizing blend of Central Asian and Islamic architecture. As we gaze upon this artwork, we are transported to a time when Samarkand was an integral part of the Silk Route. The image exudes an atmospheric charm that takes us deep into East Central Uzbekistan's remote and primitive landscapes. We can almost feel ourselves walking through these ancient ruins as if they were still bustling with life. Vereshchagin's attention to detail is impeccable; every brushstroke brings out the intricate beauty of this historic city. The play of light and shadows adds depth and mystery to the scene, while also highlighting the delicate features of each building. This print serves as a visual reminder not only of Samarkand's architectural grandeur but also its cultural significance as a hub for Muslim heritage. It invites us to appreciate both its historical value and artistic excellence.

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