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Imitating an Arkshell - Man flanked by two hats, 1809 (woodblock on paper)

Imitating an Arkshell - Man flanked by two hats, 1809 (woodblock on paper)


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Imitating an Arkshell - Man flanked by two hats, 1809 (woodblock on paper)

6437437 Imitating an Arkshell - Man flanked by two hats, 1809 (woodblock on paper) by Utagawa Toyokuni (1769-1825); 37.5x25 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Text by Santo Kyoden. One of seven in a print series depciting people imitating birds, plants and animals. Publisher: Nishimuraya Yohachi, Igaya Kanemon. Kiwame seal. Date seal: Snake 7 (1809).); eMaidstone Museum and Art Gallery; Japanese, out of copyright

Media ID 24132962

© Maidstone Museum and Art Gallery / Bridgeman Images

Edo Period Edo Period 1603 1868 Shell Tokugawa Period Woodblock


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> Animals > Reptiles > Snakes > Bird Snake

> Arts > Artists > T > Utagawa Toyokuni

> Arts > Artists > U > Toyokuni Utagawa

> Asia > Japan > Related Images

> Asia > Related Images

> Europe > United Kingdom > England > Kent > Maidstone

> Europe > United Kingdom > England > Kent > Seal

> Fine Art Finder > Artists > Toyokuni Utagawa


EDITORS COMMENTS
This woodblock print, titled "Imitating an Arkshell - Man flanked by two hats" created in 1809 by Utagawa Toyokuni, transports us to the mesmerizing world of Edo period Japan. The artwork measures 37.5x25 cm and is housed in the prestigious Maidstone Museum and Art Gallery in Kent, UK. In this intriguing composition, a man stands proudly amidst a backdrop of intricate patterns and delicate details. He is surrounded by two oversized hats that mimic the shape and texture of an arkshell, a type of seashell found along Japan's coastlines. This whimsical portrayal showcases the artist's imagination as he explores the concept of humans imitating nature. The print series from which this artwork belongs features individuals imitating various birds, plants, and animals. It offers a glimpse into Japanese culture during the Tokugawa period when people held great reverence for nature's beauty and sought harmony with their surroundings. Published by Nishimuraya Yohachi and Igaya Kanemon, this particular piece bears the Kiwame seal denoting its high quality craftsmanship. A date seal reveals that it was produced in 1809 during the Year of Snake according to the Chinese zodiac calendar. Through this woodblock print, Toyokuni invites us to contemplate our relationship with nature while immersing ourselves in his exquisite artistic vision. Its timeless appeal continues to captivate viewers today as we marvel at its intricate details and appreciate its significance within Japanese

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