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The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816
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The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816
FLO4690247 The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816. by Rowlandson, Thomas (1756-1827); (add.info.: The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.); © Florilegius
Media ID 22463350
© Florilegius / Bridgeman Images
Allegorie Angleterre Arme Blessure Danse Macabre Defaite Defeat Duel Macabre Dance Mort Opposition Pistolet Rivalite Rivalry Squelette Allemagne Defensive Weapon Grande Bretagne Infantry Weapon
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EDITORS COMMENTS
This print captures a macabre scene from the 19th century, showcasing the allegorical dance of death. In this particular image, we witness the skeleton of Death carrying away a wounded man before the doctor can attend to him after a fatal duel with pistols in a park. The handcoloured copperplate was masterfully drawn and engraved by Thomas Rowlandson for "The English Dance of Death" publication in 1816. The composition is rich with symbolism and serves as an allegory for the consequences of violence and rivalry within society. The skeleton personifies Death itself, reminding us that no one can escape its grasp, even in moments of victory or defeat. The injured man lying on the ground represents both physical injury and mortality, while the doctor's absence highlights our inability to control or delay death's arrival. Rowlandson's meticulous attention to detail brings this dark scene to life, emphasizing not only the gravity of death but also capturing elements of British culture during that time period. This engraving offers viewers an intriguing glimpse into societal attitudes towards violence and mortality in early 19th-century England. As we contemplate this thought-provoking image today, it reminds us to reflect on our own actions and choices within civilization. It serves as a reminder that life is fragile and fleeting, urging us to consider how we navigate conflicts and rivalries with empathy rather than resorting to violence.
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