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Thomas Rowlandson Collection (page 8)

1,465 items

Background imageThomas Rowlandson Collection: HRH William Prince of Orange wounded at the moment of victory in the memorable battle of

HRH William Prince of Orange wounded at the moment of victory in the memorable battle of
3062512 HRH William Prince of Orange wounded at the moment of victory in the memorable battle of Waterloo, 1815, published 1816 (engraving) by Odevaere

Background imageThomas Rowlandson Collection: Southwark Cavalry, c. 1799 (coloured aquatint)

Southwark Cavalry, c. 1799 (coloured aquatint)
3062344 Southwark Cavalry, c.1799 (coloured aquatint) by Rowlandson, Thomas (1756-1827); National Army Museum, London; (add.info)

Background imageThomas Rowlandson Collection: Boarding a Ferry Boat, c. 1810 (pencil, ink, brush & w / c on paper)

Boarding a Ferry Boat, c. 1810 (pencil, ink, brush & w / c on paper)
3057561 Boarding a Ferry Boat, c.1810 (pencil, ink, brush & w/c on paper) by Rowlandson, Thomas (1756-1827); 18.4x27.3 cm; Private Collection; Abbott and Holder, London, UK; English, out of copyright

Background imageThomas Rowlandson Collection: The Disappointment, 1773 (engraving)

The Disappointment, 1773 (engraving)
3109013 The Disappointment, 1773 (engraving) by Collier, John (Tim Bobbin) (1708-86) (attr. to); Private Collection; (add.info.: For preparatory drawing see image 3109011); Abbott and Holder, London

Background imageThomas Rowlandson Collection: Dr Syntax has an accident at the Club (ink & w / c on paper)

Dr Syntax has an accident at the Club (ink & w / c on paper)
3108943 Dr Syntax has an accident at the Club (ink & w/c on paper) by Rowlandson, Thomas (1756-1827); 14x24.1 cm; Private Collection; Abbott and Holder, London, UK; English, out of copyright

Background imageThomas Rowlandson Collection: Japanese women, 1890 (hand-coloured photo)

Japanese women, 1890 (hand-coloured photo)
1574408 Japanese women, 1890 (hand-coloured photo) by Thomson, John (1837-1921); Universal History Archive/UIG; Scottish, out of copyright

Background imageThomas Rowlandson Collection: Doctor Syntax, 1820 (hand coloured etching) (hand coloured lithograph)

Doctor Syntax, 1820 (hand coloured etching) (hand coloured lithograph)
1574376 Doctor Syntax, 1820 (hand coloured etching) (hand coloured lithograph) by Rowlandson, Thomas (1756-1827); (add.info.: Doctor Syntax, in the middle of a smoking hot political squabble)

Background imageThomas Rowlandson Collection: Fr 6465 f. 96 Construction of the Church at Aix La Chapelle by Charlemagne (742-814

Fr 6465 f. 96 Construction of the Church at Aix La Chapelle by Charlemagne (742-814
EDI309656 Fr 6465 f.96 Construction of the Church at Aix La Chapelle by Charlemagne (742-814) (vellum) by French School, (14th century); Bibliotheque Nationale, Paris

Background imageThomas Rowlandson Collection: Attendance on a Nobleman, illustration from The Vicar of Wakefield

Attendance on a Nobleman, illustration from The Vicar of Wakefield
PT309573 Attendance on a Nobleman, illustration from The Vicar of Wakefield by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint) by Rowlandson

Background imageThomas Rowlandson Collection: The Stage, illustration from The Vicar of Wakefield by Oliver Goldsmith, pub

The Stage, illustration from The Vicar of Wakefield by Oliver Goldsmith, pub
PT309562 The Stage, illustration from The Vicar of Wakefield by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint) by Rowlandson, Thomas (1756-1827); Private Collection; English

Background imageThomas Rowlandson Collection: The Social Evening, illustration from The Vicar of Wakefield

The Social Evening, illustration from The Vicar of Wakefield
PT309555 The Social Evening, illustration from The Vicar of Wakefield by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint) by Rowlandson

Background imageThomas Rowlandson Collection: Flowers and mice, plate 6 from Fantaisies decoratives, engraved by Gillot

Flowers and mice, plate 6 from Fantaisies decoratives, engraved by Gillot
REV267187 Flowers and mice, plate 6 from Fantaisies decoratives, engraved by Gillot, published by Jules Rouam, Librairie de l Art, Paris, 1887 (colour engraving) by Habert-Dys

Background imageThomas Rowlandson Collection: The Subscription Club Room (pen & ink and w / c on paper)

The Subscription Club Room (pen & ink and w / c on paper)
AGN271135 The Subscription Club Room (pen & ink and w/c on paper) by Rowlandson, Thomas (1756-1827); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageThomas Rowlandson Collection: Chemical Lectures, c. 1809 (engraving) (b / w photo)

Chemical Lectures, c. 1809 (engraving) (b / w photo)
XJF308091 Chemical Lectures, c.1809 (engraving) (b/w photo) by Rowlandson, Thomas (1756-1827); Private Collection; (add.info)

Background imageThomas Rowlandson Collection: Caricature of Doctor Alphonse Bertillon from L Assiette au Beurre

Caricature of Doctor Alphonse Bertillon from L Assiette au Beurre
CHT352361 Caricature of Doctor Alphonse Bertillon from L Assiette au Beurre, July 1909 (colour litho) by Musacchio, Cesare Annibale (b.1881); Bibliotheque Historique de la Ville de Paris, Paris

Background imageThomas Rowlandson Collection: The Cooks (oil on canvas)

The Cooks (oil on canvas)
FIT282924 The Cooks (oil on canvas) by Ribot, Auguste Theodule (1823-91); 46.4x38.4 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright

Background imageThomas Rowlandson Collection: The Kings Arms, Dorchester (pen & ink and w / c on paper)

The Kings Arms, Dorchester (pen & ink and w / c on paper)
FIT282913 The Kings Arms, Dorchester (pen & ink and w/c on paper) by Rowlandson, Thomas (1756-1827); 27.4x41 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Background imageThomas Rowlandson Collection: Naples From Sir William Hamiltons Villa, 1780-1782 (pencil and w / c on paper)

Naples From Sir William Hamiltons Villa, 1780-1782 (pencil and w / c on paper)
BIR115515 Naples From Sir William Hamiltons Villa, 1780-1782 (pencil and w/c on paper) by Smith, John Warwick (1749-1831); 20x31.5 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageThomas Rowlandson Collection: A Coach Preparing to Leave Canterbury Gate, Christ Church, Oxford, c

A Coach Preparing to Leave Canterbury Gate, Christ Church, Oxford, c
BIR115512 A Coach Preparing to Leave Canterbury Gate, Christ Church, Oxford, c.1810-15 (pen and w/c on paper) by Rowlandson

Background imageThomas Rowlandson Collection: Dutch Merchants, 1796 (colour litho and w / c on paper)

Dutch Merchants, 1796 (colour litho and w / c on paper)
LMG139555 Dutch Merchants, 1796 (colour litho and w/c on paper) by Rowlandson, Thomas (1756-1827); 30x25 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageThomas Rowlandson Collection: 'Fish Fags'(pen, w / c & pencil on paper)

"Fish Fags"(pen, w / c & pencil on paper)
NP125755 " Fish Fags" (pen, w/c & pencil on paper) by Rowlandson, Thomas (1756-1827); 12.7x18.4 cm; Private Collection; English, out of copyright

Background imageThomas Rowlandson Collection: Vauxhall, engraved by Robert Pollard (1755-1838) and aquatinted by Francis Jukes

Vauxhall, engraved by Robert Pollard (1755-1838) and aquatinted by Francis Jukes
NP125731 Vauxhall, engraved by Robert Pollard (1755-1838) and aquatinted by Francis Jukes (1747-1812), pub. by John Raphael Smith, 1785 (coloured aquatint) by Rowlandson

Background imageThomas Rowlandson Collection: Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub

Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub
NP125730 Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub. 1791 (coloured etching with aquatint) by Rowlandson, Thomas (1756-1827); 24.1x32.4 cm; Private Collection; English, out of copyright

Background imageThomas Rowlandson Collection: The Cole Hole (ink & w / c on paper) (see also BKB 100476)

The Cole Hole (ink & w / c on paper) (see also BKB 100476)
NP125704 The Cole Hole (ink & w/c on paper) (see also BKB 100476) by Rowlandson, Thomas (1756-1827); 14.6x23.5 cm; Private Collection; English, out of copyright

Background imageThomas Rowlandson Collection: The Surprising Equilibres on the Slack Rope by the Grand Turk, Mahomed Caratha

The Surprising Equilibres on the Slack Rope by the Grand Turk, Mahomed Caratha
CWA124844 The Surprising Equilibres on the Slack Rope by the Grand Turk, Mahomed Caratha, printed by Robert Sayer (fl.1750-80) (engraving) by English School

Background imageThomas Rowlandson Collection: 'The Covent Garden Night Mare', pub. by W. Humphrey, 1784 (etching)

"The Covent Garden Night Mare", pub. by W. Humphrey, 1784 (etching)
CWA124843 " The Covent Garden Night Mare", pub. by W. Humphrey, 1784 (etching) by Rowlandson, Thomas (1756-1827); City of Westminster Archive Centre, London

Background imageThomas Rowlandson Collection: A Piccadilly Lecture in 1803 (w / c on paper)

A Piccadilly Lecture in 1803 (w / c on paper)
CWA124818 A Piccadilly Lecture in 1803 (w/c on paper) by Rowlandson, Thomas (1756-1827); City of Westminster Archive Centre, London, UK; eWestminister Archives; English, out of copyright

Background imageThomas Rowlandson Collection: 'Milk below Maids', plate 2 of The Cries of London

"Milk below Maids", plate 2 of The Cries of London
NP125762 " Milk below Maids", plate 2 of The Cries of London, engraved by Luigi Schiavonetti (1765-1810), pub. by Colnaghi & Co

Background imageThomas Rowlandson Collection: Brighton Races, 1816 (pen, w / c & pencil on paper)

Brighton Races, 1816 (pen, w / c & pencil on paper)
NP125757 Brighton Races, 1816 (pen, w/c & pencil on paper) by Rowlandson, Thomas (1756-1827); 14.6x23.5 cm; Private Collection; English, out of copyright

Background imageThomas Rowlandson Collection: The Connoisseur (pen, w / c & pencil on paper)

The Connoisseur (pen, w / c & pencil on paper)
NP125754 The Connoisseur (pen, w/c & pencil on paper) by Rowlandson, Thomas (1756-1827); 14.6x22.9 cm; Private Collection; English, out of copyright

Background imageThomas Rowlandson Collection: Quadrangle of Kings College, Cambridge (pen & w / c on paper)

Quadrangle of Kings College, Cambridge (pen & w / c on paper)
NP125739 Quadrangle of Kings College, Cambridge (pen & w/c on paper) by Rowlandson, Thomas (1756-1827); 22.9x31.1 cm; Private Collection; (add.info.: engraved by the artist and pub)

Background imageThomas Rowlandson Collection: The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)

The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)
NP125723 The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching) by Rowlandson, Thomas (1756-1827); 33.7x50.1 cm; Private Collection; English, out of copyright

Background imageThomas Rowlandson Collection: Landscape with Figures Outside an Inn, 1643 (oil on panel)

Landscape with Figures Outside an Inn, 1643 (oil on panel)
CPB90788 Landscape with Figures Outside an Inn, 1643 (oil on panel) by Goyen, Jan Josephsz van (1596-1656); 47.6x65.4 cm; Private Collection; Dutch, out of copyright

Background imageThomas Rowlandson Collection: The Amorous Gardener (w / c on paper)

The Amorous Gardener (w / c on paper)
HMP90746 The Amorous Gardener (w/c on paper) by Rowlandson, Thomas (1756-1827); 13x20 cm; Harris Museum and Art Gallery, Preston, Lancashire, UK; eHarris Museum and Art Gallery; English

Background imageThomas Rowlandson Collection: Ms EAB 664 The Last Supper, Jesus washing the disciples feet

Ms EAB 664 The Last Supper, Jesus washing the disciples feet
XIR252748 Ms EAB 664 The Last Supper, Jesus washing the disciples feet, from the Codex Purpureus (vellum) (b/w photo) by Byzantine School, (6th century); Museo Diocesano, Rossano

Background imageThomas Rowlandson Collection: Checkmate, c. 1790 (w / c & ink over graphite on paper)

Checkmate, c. 1790 (w / c & ink over graphite on paper)
XYC249725 Checkmate, c.1790 (w/c & ink over graphite on paper) by Rowlandson, Thomas (1756-1827); 14x18.7 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageThomas Rowlandson Collection: Giraffe, plate from 'Brehms Tierleben> Allgemeine Kunde des Tierreichs', vol

Giraffe, plate from "Brehms Tierleben> Allgemeine Kunde des Tierreichs", vol
AGD241776 Giraffe, plate from " Brehms Tierleben> Allgemeine Kunde des Tierreichs", vol. 3, p. 9, published bz Bibliographisches Institut, 1891 (colour litho) by German School

Background imageThomas Rowlandson Collection: A Horse Sale at Hopkinss Repository, Barbican, c. 1798-1800 (pen

A Horse Sale at Hopkinss Repository, Barbican, c. 1798-1800 (pen
XYC238966 A Horse Sale at Hopkinss Repository, Barbican, c.1798-1800 (pen, ink and w/c on paper) by Rowlandson, Thomas (1756-1827); 27x40 cm; Yale Center for British Art, Paul Mellon Collection

Background imageThomas Rowlandson Collection: Karl Gustav Wrangel (1603-73) from Portraits des Hommes Illustres

Karl Gustav Wrangel (1603-73) from Portraits des Hommes Illustres
STC213575 Karl Gustav Wrangel (1603-73) from Portraits des Hommes Illustres, engraved by Petrus de Iode, published 1706 (engraving) by Hulle

Background imageThomas Rowlandson Collection: The Billiard Table, from The Tour of Dr Syntax in search of the Picturesque

The Billiard Table, from The Tour of Dr Syntax in search of the Picturesque
STC213546 The Billiard Table, from The Tour of Dr Syntax in search of the Picturesque, by William Combe, published 1812 (aquatint) by Rowlandson

Background imageThomas Rowlandson Collection: Roses and Larkspur, 1885 (oil on canvas)

Roses and Larkspur, 1885 (oil on canvas)
HNT167617 Roses and Larkspur, 1885 (oil on canvas) by Fantin-Latour, Ignace Henri Jean (1836-1904); The Hunterian, University of Glasgow, Scotland; eHunterian Museum & Art Gallery; French

Background imageThomas Rowlandson Collection: The Connoisseurs, 1799 (hand coloured etching)

The Connoisseurs, 1799 (hand coloured etching)
HNT167616 The Connoisseurs, 1799 (hand coloured etching) by Rowlandson, Thomas (1756-1827); The Hunterian, University of Glasgow, Scotland; eHunterian Museum & Art Gallery; English, out of copyright

Background imageThomas Rowlandson Collection: A Scene in the Channel, from The Grand Master, or Adventures of Qui Hi? in Hindostan

A Scene in the Channel, from The Grand Master, or Adventures of Qui Hi? in Hindostan
STC190612 A Scene in the Channel, from The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz, by William Combe (1741-1823) published by Thomas Tegg, London

Background imageThomas Rowlandson Collection: The Tournament, made by a Brussels workshop, c. 1582-85 (tapestry) (detail)

The Tournament, made by a Brussels workshop, c. 1582-85 (tapestry) (detail)
XIR173760 The Tournament, made by a Brussels workshop, c.1582-85 (tapestry) (detail) by Heere, Lucas de (1534-84) (after); Galleria degli Uffizi, Florence, Tuscany

Background imageThomas Rowlandson Collection: The Flight of Bonaparte from Hell-Bay, 1815 (coloured engraving)

The Flight of Bonaparte from Hell-Bay, 1815 (coloured engraving)
CHT173758 The Flight of Bonaparte from Hell-Bay, 1815 (coloured engraving) by Rowlandson, Thomas (1756-1827); Bibliotheque Historique de la Ville de Paris, Paris

Background imageThomas Rowlandson Collection: The Discord, 1855 (colour litho)

The Discord, 1855 (colour litho)
NYH192701 The Discord, 1855 (colour litho) by Heppenheimer, F. (19th century); Collection of the New-York Historical Society, USA; eNew York Historical Society; American, out of copyright

Background imageThomas Rowlandson Collection: Landing of the British Troops in Egypt, March 1801, from

Landing of the British Troops in Egypt, March 1801, from
STC174271 Landing of the British Troops in Egypt, March 1801, from The Martial Achievements of Great Britain and her Allies from 1799 to 1815, by James Jenkins

Background imageThomas Rowlandson Collection: Westminster Cavalry Volunteer, plate 4 from Loyal Volunteers of London

Westminster Cavalry Volunteer, plate 4 from Loyal Volunteers of London
STC174268 Westminster Cavalry Volunteer, plate 4 from Loyal Volunteers of London and Environs, published 1798 (colour litho) by Rowlandson



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