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The Flight of Bonaparte from Hell-Bay, 1815 (coloured engraving)
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The Flight of Bonaparte from Hell-Bay, 1815 (coloured engraving)
CHT173758 The Flight of Bonaparte from Hell-Bay, 1815 (coloured engraving) by Rowlandson, Thomas (1756-1827); Bibliotheque Historique de la Ville de Paris, Paris, France; (add.info.: satire of Napoleons escape from Elba; ); eArchives Charmet; English, out of copyright
Media ID 23355188
© Archives Charmet / Bridgeman Images
1769 1821 Breathing Bubble Demon Demons Devil Devils Dragon Dragons Elbe Fire Breathing Hades Hell Lucifer Napoleon Bonaparte Sabre Satan Flames Hell Bay Minions
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The Flight of Bonaparte from Hell-Bay, 1815 - A Satirical Masterpiece
EDITORS COMMENTS
. This coloured engraving by Thomas Rowlandson takes us back to the year 1815, capturing a moment of historical satire and artistic brilliance. The print depicts Napoleon Bonaparte's daring escape from Elba, but with a twist that only Rowlandson could conjure. In this imaginative portrayal, we witness the fallen emperor fleeing not just from Elba but also from the clutches of hell itself. Surrounded by a fiery inferno and menacing demons breathing fire, Napoleon sits atop his throne-like bubble as it soars through the sky. With devilish minions at his side and dragons swooping around him, he appears both defiant and vulnerable in equal measure. Rowlandson's caricature skillfully combines elements of mythology and politics to create a scathing commentary on Napoleon's ambitions. The artist cleverly portrays him as Lucifer himself – an ambitious ruler who dared challenge divine authority. The intricate details in this engraving draw our attention to every aspect: flames licking at Napoleon's feet, demons brandishing sabres ready for battle, and even Hades lurking in the background. Through these visual cues, Rowlandson captures the chaos surrounding Bonaparte's reign while highlighting his eventual downfall. As we gaze upon this remarkable piece of artistry today, we are reminded not only of its historical significance but also its timeless appeal. It serves as a testament to Rowlandson's talent
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