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Four belts 17th - 19th century (parcel-gilt silver, silver-gilt, silver

Four belts 17th - 19th century (parcel-gilt silver, silver-gilt, silver


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Four belts 17th - 19th century (parcel-gilt silver, silver-gilt, silver

3434821 Four belts 17th - 19th century (parcel-gilt silver, silver-gilt, silver, enamel & precious stones) by Hungarian School; Private Collection; (add.info.: Top: A HUNGARIAN PARCEL-GILT SILVER AND STONE-SET BELT
PROBABLY TRANSYLVANIA, 18TH CENTURY
Composed of six trapezoidal silver-gilt segments, joined by openwork silver links, each with applied openwork foliage and set with table- cut garnets, mounted in domed and chased bezels, and baroque pearls, the center with similarly-decorated cartouche suspending three domed pear-shaped drops, two set with table-cut garnets and one with a baroque pearl, the hinged clasp is formed of two semi-circular openwork silver segments mounted with rose-cut garnets and terminating with a hook and loop closure, two segments with loops for suspension, apparently unmarked, with later French control marks
Second from top: A HUNGARIAN SILVER-GILT AND STONE-SET BUCKLE WITH FOUR BOSSES
MARK PROBABLY THAT OF GEORGIUS HOSSMANN, NAGYSZEBEN, LATE 17TH CENTURY
The buckle consists of two curved silver-gilt panels with openwork scrolls and set with baroque pearls and cabochon garnets, joined by a conical-shaped rosette formed of openwork silver-gilt scrolls set with baroque pearls, turquoises and garnets, issuing from one side of the buckle a section of velvet applied with three bosses similarly decorated with enamel flowerheads and set with turquoises, pearls and redstones, the velvet terminating with a hinged hook set with a pearl and garnet, possible alterations, marked on reverse of buckle, mark double-struck
21Ao in. (51.4 cm.) long
Second from bottom: A HUNGARIAN SILVER AND STONE-SET BELT
PROBABLY TRANSYLVANIA, CIRCA 1700
Composed of seventeen square links, each composed of openwork scrolls with a cabochon moonstone in the center and surrounded by garnets, pink sapphires, and emeralds, the hooks joined by a ropetwist clasp, two square links set with loops for suspension, apparently unmarked
32 in. (81.2 cm.) long
Bottom: A HUNGARIAN GOLD, ENAMEL AND GEM-SET BELT
BUDAPEST, CIRCA 1825, MAKERs MARK FM; SOME ORNAMENT 17TH-CENTURY
Formed of two halves consisting of four oval links decorated with earlier mounts of champleveenamel and collet-set emeralds, six square silver-gilt segments decorated with cloisonneenamel, filigree and collet-set pink stones and emeralds, each half terminates with a shield shaped segment decorated with earlier mounts of enamel foliage and flowers set with rubies and emeralds, the segments are connected by arched links and fastened with a circular central clasp, also decorated with champleveenamel, the center set with a rectangular table-cut light green gemstones surrounded by rose-cut diamonds, marked on oval, shield shaped segments and on clasp
25 in. (65 cm.) long ); Photo eChristies Images; out of copyright

Media ID 23676732

© Christie's Images / Bridgeman Images

17th 18th Belt Belts Budapest Chain Collection Enamelled Hungarian Intricate Jewelled Link Linked Links Nagyszeben Openwork Pendant Silver Silver Gilt Silverware Transylvania Transylvanian Jewel Jewels


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Artists > H > Hungarian School Hungarian School

> Europe > Hungary > Budapest

> Europe > Hungary > Heritage Sites > Budapest, including the Banks of

> Europe > Hungary > Posters

> Europe > Hungary > Related Images

> Fine Art Finder > Artists > School Hungarian

> Fine Art Finder > Artists > Swiss School

> Fine Art Finder > Silver And Gold


EDITORS COMMENTS
This print showcases four exquisite belts from the 17th to the 19th century, displaying a stunning array of craftsmanship and opulence. The top belt, believed to be from Transylvania in the 18th century, is composed of silver-gilt segments adorned with intricate openwork foliage and table-cut garnets. It features a central cartouche suspending three pear-shaped drops, two set with garnets and one with a baroque pearl. The second belt from the top is an exceptional silver-gilt buckle created by Georgius Hossman in Nagyszeben during the late 17th century. Its curved panels are embellished with baroque pearls and cabochon garnets, joined by a rosette adorned with turquoises and more pearls. A section of velvet attached to one side displays enamel flowerheads set with turquoises, pearls, and redstones. The third belt is another remarkable piece likely originating from Transylvania around 1700. Composed of seventeen square links decorated with openwork scrolls and centered moonstones surrounded by vibrant gemstones such as garnets, pink sapphires, and emeralds. Lastly, we have an extraordinary gold belt crafted in Budapest circa 1825. This masterpiece consists of oval links adorned with champleve enamel mounts and collet-set emeralds while six square silver-gilt segments feature cloisonne enamel designs accented by filigree work and pink stones. Each half terminates in shield-shaped segments decorated with enamel foliage set with rubies and emeralds. These four belts represent not only Hungarian artistry but also epitomize luxury through their use of precious metals like silver gilt or gold along with intricate enameling techniques combined harmoniously for timeless elegance.

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