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Mother Superior Taisiia on the veranda at Leushinskii Monastery, Leushina
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Mother Superior Taisiia on the veranda at Leushinskii Monastery, Leushina
1273935 Mother Superior Taisiia on the veranda at Leushinskii Monastery, Leushina, 1905-1915 (photo) by Prokudin-Gorsky, Sergey (1863-1944); Private Collection; (add.info.: Prokudin-Gorsky produced an extensive photographic survey of the Russian Empire on the eve of revolution. His pioneering colour photography involved synthesizing 3 black and white photographs taken through red, green and blue filters.); Russian, out of copyright
Media ID 23387870
© Bridgeman Images
Russian Empire Russian Orthodox Sergei Prokudin Gorskii Timber
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EDITORS COMMENTS
This print captures the serene presence of Mother Superior Taisiia on the veranda at Leushinskii Monastery in Leushina. Taken between 1905 and 1915 by Sergey Prokudin-Gorsky, a renowned Russian photographer, this image is part of his extensive survey of the Russian Empire before the revolution. The composition showcases both the natural beauty and architectural splendor surrounding Mother Superior Taisiia. The wooden veranda blends harmoniously with its surroundings, adorned with vibrant plants that add a touch of life to the scene. This juxtaposition symbolizes the connection between humanity and nature within religious contexts. As a representative of Russian Orthodox Christianity, Mother Superior Taisiia exudes an aura of tranquility and devotion. Her presence on the veranda suggests a momentary pause from her spiritual duties, allowing her to appreciate the peacefulness offered by this sacred space. Prokudin-Gorsky's pioneering color photography technique adds depth and richness to this image. By synthesizing three black-and-white photographs taken through different filters, he successfully brings out vivid hues that enhance our visual experience. This remarkable photograph not only serves as a testament to Prokudin-Gorsky's technical mastery but also offers us a glimpse into religious life during early 20th-century Russia. It reminds us of the profound influence faith has on individuals like Mother Superior Taisiia while showcasing the timeless beauty found within religious architecture and natural landscapes.
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