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Charons Boat, or The Ghosts of the All Talents
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Charons Boat, or The Ghosts of the All Talents
NCO189707 Charons Boat, or The Ghosts of the All Talents Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint) by Gillray, James (1757-1815); 24.5x35 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Grenvillites known as the Broad Bottomites ; members of George Grenvilles (1712-70) Ministry of All Talents; feathers of the Prince of Wales; ); English, out of copyright
Media ID 22339768
© Bridgeman Images
Bishop Boatman Bottoms Charon Corrupt Corruption Downfall Drowning Excrement Failure Fates Ghost Hades Hanoverian Hell Mitre Money Bags Obese Political Satire River Styx Sail Seasick Spinning Tankard Underworld Vomiting Witch Ghouls
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Charon's Boat, or The Ghosts of the All Talents Taking their Last Voyage
EDITORS COMMENTS
is a captivating and thought-provoking print that delves into the realm of political satire and social commentary. Created by James Gillray in 1807, this hand-coloured etching with aquatint showcases his exceptional talent for exposing corruption and mocking those in power. In this artwork, Gillray presents a chaotic scene aboard Charon's boat as it sails towards the underworld. The passengers on board represent members of George Grenville's Ministry of All Talents, known as the Broad Bottomites or Grenvillites. With exaggerated features and grotesque appearances, they symbolize the downfall of these politicians who have succumbed to greed and incompetence. The imagery within this print is rich with symbolism: from an obese figure vomiting excrement to a two-headed bird representing duplicity. A bishop clutching money bags highlights religious corruption while ghoulish figures spin webs of deceit. Meanwhile, a naked witch adds an element of macabre fascination. Gillray's mastery lies not only in his ability to create visually striking caricatures but also in his skillful use of satire to expose societal flaws. Through "Charon's Boat" he unveils the dark underbelly of Georgian politics, shedding light on its inherent failures and moral bankruptcy. This remarkable piece serves as a reminder that power can corrupt even the most esteemed individuals. It challenges us to question authority and remain vigilant against those who prioritize
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