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Abundance, with Avarice and Idleness, 1610-20 (oil on copper)

Abundance, with Avarice and Idleness, 1610-20 (oil on copper)


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Abundance, with Avarice and Idleness, 1610-20 (oil on copper)

5973982 Abundance, with Avarice and Idleness, 1610-20 (oil on copper) by Cesari, Giuseppe (Cavalier d Arpino) (1568-1640) (follower of); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia, Pinacoteca Tosio Martinengo: " Liberalita (o Abbondanza), affiancata da Avarizia e Ozio", 1610 - 20, di ambito di Giuseppe Cesari, detto Cavalier d Arpino, 1610-20. Olio su rame.); Ghigo Roli

Media ID 25154220

© Ghigo Roli / Bridgeman Images

Abundance Allegoria Arte Avarice Barocco Brescia Copper Dipinto A Olio Greed Idleness Il Seicento Lombardia Museo Pinacoteca Tosio Martinengo Pittura Rame The 17th Century Xvii Secolo Abbondanza Giuseppe Cesari


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Artists > C > Giuseppe Cesari

> Europe > Italy > Lazio > Arpino

> Europe > Italy > Lombardy > Brescia

> Europe > Italy > Lombardy > Related Images

> Fine Art Finder > Artists > Giuseppe (1568-1640) (follower of)

> Fine Art Finder > Artists > Sanzio of Urbino (workshop) Raphael


EDITORS COMMENTS
This print titled "Abundance, with Avarice and Idleness" by Giuseppe Cesari takes us back to the Baroque era in Italy. Painted between 1610-20, this oil on copper artwork is housed in the Pinacoteca Tosio Martinengo museum in Brescia. The painting depicts a powerful allegory of abundance accompanied by two contrasting figures: avarice and idleness. The central figure of Abundance exudes opulence and prosperity, symbolized by her overflowing cornucopia spilling out fruits and flowers. Her regal presence commands attention as she stands amidst a backdrop of vibrant colors. On one side, Avarice lurks greedily with his eyes fixed on the riches held within Abundance's grasp. His posture reflects his insatiable desire for wealth, contrasting sharply with Abundance's generosity. On the other side stands Idleness, embodying laziness and indolence. With an air of nonchalance, he leans against a pillar while holding an hourglass that represents wasted time. Cesari masterfully captures these opposing forces through intricate details and rich textures that bring life to each character. The play of light and shadow adds depth to the composition, enhancing its dramatic impact. This artwork serves as a reminder of the eternal struggle between abundance and greed, productivity and idleness. It invites viewers to reflect upon their own values regarding wealth, work ethic, and contentment – themes that remain relevant even today.

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