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Woman Reading; Femme Lisant, 1926 (gouache on paper)
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Woman Reading; Femme Lisant, 1926 (gouache on paper)
825829 Woman Reading; Femme Lisant, 1926 (gouache on paper) by Scheiber, Hugo (1873-1950); 85.5x65 cm; Private Collection; (add.info.: Woman Reading; Femme Lisant. Hugo Scheiber (1873-1950). Gouache on paper. painted in 1926. 85.5 x 65cm.); Photo © Christies Images
Media ID 25210244
© Christie's Images / Bridgeman Images
1926 Artist Hungarian Behaviour Collar Curtain Cut Flower Downcast Drapes Expressionism Expressionist Facial Expression Female Garment Flower Arrangement Fruit Bowl Fruit Dish Fruitbowl Furnishing Gouache Heartbroken Household Equipment Hungarian Art Hungarian Artist Incopyright Legs Crossed Looking Down Melancholia Melancholy Modern Art Mounted On Paper Neckwear Negative Concept On Paper Quiet Quietly Read Soft Furnishing Spiked Spiky Temperament Woman Alone Younghood 1920s 20s 20s Ethnic Origin Headwear Interior Decoration Portrait Style Portraiture Positive Concepts Sadness Summer Clothes The Woman Young Woman
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EDITORS COMMENTS
This print showcases Hugo Scheiber's "Woman Reading; Femme Lisant" from 1926. The artwork, created with gouache on paper, measures 85.5x65 cm and is part of a private collection. In this piece, Scheiber beautifully captures the essence of a woman engrossed in her reading. The subject sits elegantly, surrounded by an array of vibrant fruits displayed in a fruit bowl. This inclusion adds a touch of botany and natural history to the scene, emphasizing the connection between food supply and scientific methods. The woman exudes youthfulness as she dons stylish summer clothes that perfectly complement her surroundings. A curtain drapes behind her while a delicate flower arrangement adorns the space nearby. Despite the serene setting, there is an underlying sense of melancholia portrayed through the artist's use of color and composition. The close-up portrait style allows us to see every detail on the woman's face, revealing hints of heartbreak and sadness. Scheiber's attention to detail extends beyond his depiction of the woman herself. He skillfully incorporates elements such as fine art furnishings and neckwear into his composition. Overall, this artwork serves as a testament to Scheiber's talent as a Hungarian artist during the early twentieth century. Its floral motifs combined with its exploration of human emotion make it truly captivating for any viewer.
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