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Moliere as Harpagon, frontispiece illustration from The Miser by Moliere
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Moliere as Harpagon, frontispiece illustration from The Miser by Moliere
XIR279777 Moliere as Harpagon, frontispiece illustration from The Miser by Moliere, engraved by Jean Sauve (fl.1660-91) edition 1682 (engraving) (b/w photo) by Brissart, Pierre (17th century) (after); Bibliotheque Nationale, Paris, France; (add.info.: Harpagon sous les traits de Moliere, frontispice de l Avare; Avare; satirical comedy; performed in 1668; obsessively greedy money lender; Jean-Baptiste Poquelin (1622-73); ); French, out of copyright
Media ID 12787765
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Commedia Dellarte Jabot Ridiculous Stage Set Theatrical
EDITORS COMMENTS
This print showcases the iconic frontispiece illustration from "The Miser" by Moliere. The image depicts Moliere himself transformed into the character Harpagon, engraved by Jean Sauve in 1682. This satirical comedy, first performed in 1668, revolves around Harpagon, an obsessively greedy money lender. In this scene captured with meticulous detail, we see a male figure dressed in an elaborate costume adorned with a jabot and holding a sword. His facial expression exudes ridiculousness as he embodies the essence of Harpagon's character - a man consumed by his insatiable desire for wealth. Surrounded by other characters from the play, both male and female actors are seen on stage set against a theatrical backdrop. The composition captures the essence of commedia dell'arte style with its exaggerated gestures and expressive faces. This print is not only a visual delight but also serves as a historical testament to Moliere's enduring influence on French theater. Preserved within the archives of Bibliotheque Nationale in Paris, France, it stands as an homage to one of France's greatest playwrights. With its timeless appeal and artistic mastery evident through Pierre Brissart's engraving technique, this image transports viewers back to the vibrant world of 17th-century theater while simultaneously inviting them to reflect upon themes that remain relevant today – greed, folly, and human nature itself.
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