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Venus and Cupid, c. 1692-1705 (oil on glass, tortoiseshell & ebony)
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Venus and Cupid, c. 1692-1705 (oil on glass, tortoiseshell & ebony)
2460033 Venus and Cupid, c.1692-1705 (oil on glass, tortoiseshell & ebony) by Garofalo, Carlo (17th-18th centur); 65x85 cm; Private Collection; (add.info.: Set of four south Italian mythological reverse-glass paintings, depicting the Triumph of Galatea, Diana Bathing, Pan and Syrinx and Venus and Cupid, each within a tortoiseshell and ebony frame); Photo eChristies Images; Italian, out of copyright
Media ID 23691672
© Christie's Images / Bridgeman Images
Aphrodite Apple Apples Bower Chariot Drapery Eros Frame Frames Putti Reclining Series Venus Cherub Cherubim Cherubs
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EDITORS COMMENTS
This print showcases the exquisite artwork of Carlo Garofalo, a renowned Italian artist from the 17th-18th century. The painting, titled "Venus and Cupid" is part of a set of four south Italian mythological reverse-glass paintings. In this particular piece, we see Venus, the goddess of love, reclining in a lush bower with her son Cupid by her side. The composition is richly detailed and beautifully executed on glass using oil paints. The delicate tortoiseshell and ebony frame adds an elegant touch to this masterpiece. The scene depicts a serene landscape where Venus and Cupid are surrounded by symbols of love and desire. An apple lies nearby, symbolizing temptation and forbidden fruit. Cherubs or putti playfully hover around them, adding an element of whimsy to the composition. Garofalo's skillful use of drapery creates graceful lines that enhance the sensuality portrayed in this classical mythological theme. The artist's mastery over capturing human form is evident in his depiction of both Venus' nude figure and Cupid's cherubic innocence. This print allows us to appreciate not only Garofalo's artistic talent but also the beauty inherent in mythology itself. It serves as a reminder that art has the power to transport us into different worlds while evoking emotions within our own hearts.
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