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Sainte Barbe - Painting d un maitre italian (circle of Ludovico Brea, ca
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Sainte Barbe - Painting d un maitre italian (circle of Ludovico Brea, ca
LSE4317168 Sainte Barbe - Painting d un maitre italian (circle of Ludovico Brea, ca. 1450-1525), tempera sur bois, ca. 1500 (St Barbara, by an unknown Italian Master, tempera on panel, circa 1500) - Museum of Ancient Arts of Lisbon (Portugal) by Italian School, (16th century); National Museum of Ancient Art, Lisbon, Portugal; (add.info.: Sainte Barbe - Painting d un maitre italian (circle of Ludovico Brea, ca. 1450-1525), tempera sur bois, ca. 1500 (St Barbara, by an unknown Italian Master, tempera on panel, circa 1500) - Museum of Ancient Arts of Lisbon (Portugal)); Photo eLeonard de Selva; Italian, out of copyright
Media ID 22471574
© Leonard de Selva / Bridgeman Images
Holy Beard Lathe Aureole Cinquecento Quattrocento
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EDITORS COMMENTS
This print showcases the exquisite artwork of "Sainte Barbe" by an unknown Italian master, believed to be from the circle of Ludovico Brea. Created around 1500, this tempera on panel painting is a true gem from the Renaissance period. Displayed at the Museum of Ancient Arts in Lisbon, Portugal, this piece depicts Saint Barbara with grace and elegance. The artist skillfully captures her serene expression and delicate features, emphasizing her holy aura with a golden halo above her head. Her regal crown adds to her divine presence. The attention to detail in this artwork is remarkable. From the intricate patterns on Saint Barbara's gown to the carefully rendered curls in her hair and beard, every element reflects the mastery of Italian art during that era. The use of vibrant colors and subtle shading further enhances its beauty. This print allows us to appreciate not only the artistic brilliance but also serves as a window into religious devotion during the 16th century. It transports us back in time, offering a glimpse into an era where faith was deeply intertwined with art. Thanks to Leonard de Selva's photography skills, we can now admire this masterpiece even if we are unable to visit it personally at the National Museum of Ancient Art in Lisbon. His expertise has captured every brushstroke and nuance faithfully so that viewers can experience its magnificence firsthand.
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