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The Adoration of the Magi - Comontes, Francisco de (active 1524-1565) - 1535-1540 - Oil on wood - 129x103 - Museo de Bellas Artes, Salamanca
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The Adoration of the Magi - Comontes, Francisco de (active 1524-1565) - 1535-1540 - Oil on wood - 129x103 - Museo de Bellas Artes, Salamanca
FIA5399663 The Adoration of the Magi - Comontes, Francisco de (active 1524-1565) - 1535-1540 - Oil on wood - 129x103 - Museo de Bellas Artes, Salamanca by Comontes, Francisco de (active 1524-1565); Museo de Bellas Artes, Salamanca, Spain; Photo © Fine Art Images
Media ID 25177182
© Fine Art Images / Bridgeman Images
Aureola Christanity Kiss Magi Offering Prostration Star Blessed Virgin
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This print showcases "The Adoration of the Magi" by Francisco de Comontes, a renowned artist active during the 16th century. Painted between 1535 and 1540, this oil on wood masterpiece measures 129x103 centimeters and is housed in the Museo de Bellas Artes in Salamanca, Spain. The painting depicts a significant biblical scene from the Christian religion: the adoration of baby Jesus by the three wise men or magi. The blessed Virgin Mary cradles her divine child as she receives offerings from these distinguished visitors. A radiant aureola surrounds Jesus, symbolizing his holiness and divinity. Intricate details bring this Renaissance artwork to life. The vibrant colors used by Comontes create a visually stunning composition that captures viewers' attention. From the rich hues of clothing to the golden star shining above, every element contributes to an atmosphere of reverence and awe. The magi are shown in various postures: one kneeling in prostration before Jesus while another offers him a kiss on his tiny hand. Their presence signifies their recognition of Christ's significance and their willingness to pay homage. This print allows art enthusiasts to appreciate Comontes' skillful brushwork and his ability to convey religious devotion through visual storytelling. It serves as a reminder of both historical artistic achievements and profound spiritual themes depicted within them.
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