Blessed Virgin Collection
"The Blessed Virgin: A Journey Through Art and Devotion" In the realm of religious art
Nativity, scene from The Breslau Psalter, f.16r, c.1255-67 (parchment, gold & ink)
8601275 Nativity, scene from The Breslau Psalter, f.16r, c.1255-67 (parchment, gold & ink) by German School, (13th century); 32.6x22.7 cm; Fitzwilliam Museum, University of Cambridge
All Professionally Made to Order for Quick Shipping
"The Blessed Virgin: A Journey Through Art and Devotion" In the realm of religious art, few figures have captivated artists and believers alike as much as the Blessed Virgin Mary. From ancient Byzantine icons to Renaissance masterpieces, her image has been portrayed in countless forms, each capturing a different aspect of her divine grace. One such portrayal is "The Immaculate Conception of the Virgin" by Giambattista Tiepolo. Painted between 1767-1768, this ethereal artwork depicts Mary's conception free from original sin, radiating purity and holiness. Another iconic representation is "Our Lady of the Rosary, " an oil painting that invites viewers to contemplate Mary's role as intercessor and guide through prayer. The delicate brushstrokes capture her serene countenance as she holds a rosary in her hands. Moving back in time, we encounter the Byzantine Master's "The Virgin Orans. " Created around 1037, this depiction showcases Mary with outstretched arms in a gesture of prayerful supplication. It serves as a reminder of her unwavering devotion to God. A notable piece from Domenico Beccafumi portrays Madonna with child John the Baptist. This intimate scene captures Mary's tenderness towards both Jesus and his cousin John, emphasizing her role not only as mother but also nurturer and protector. Leonardo da Vinci's masterpiece "The Virgin of the Rocks" presents us with two versions created between 1492-1508. In these paintings, we witness Mary surrounded by angelic figures while cradling baby Jesus—a testament to Leonardo's skill at capturing human emotion within sacred scenes. Diego Velazquez’s work titled "The Immaculate Conception of the Virgin" from c. 1617 portrays Mary enveloped in heavenly light—an embodiment of divine favor bestowed upon her at birth.