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The Butter Plate, number 387, Satirical in Colors, 1908_8_29
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The Butter Plate, number 387, Satirical in Colors, 1908_8_29
ICA4909076 The Butter Plate, number 387, Satirical in Colors, 1908_8_29: Turkey - Illustration by George of Ostoya-Sochinsky (D Ostoya) (1878-1937) by Ostoya, Georges d (Dochinsky or Sochinsky) (1878-1937); (add.info.: The Butter Plate, number 387, Satirical in Colors, 1908_8_29: Turkey - Illustration by George of Ostoya-Sochinsky (D Ostoya) (1878-1937)); Photo eCaricadoc; French, out of copyright
Media ID 23719204
© Caricadoc / Bridgeman Images
Black Sea Distrust Drowning Fishing Rod Ottoman Empire Repent Sinner Sultan Caricadoc Journalism To Fish Turk Years 1900
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The Butter Plate, number 387, Satirical in Colors
EDITORS COMMENTS
is a captivating print that transports us back to the year 1908. This satirical illustration by George of Ostoya-Sochinsky, also known as D Ostoya (1878-1937), offers a glimpse into the political climate of the time. The image depicts a scene set in Turkey, showcasing an intricate engraving filled with symbolism and hidden meanings. A repentant statesman from France can be seen walking along the coastline of the Black Sea, holding a fishing rod as if trying to catch something elusive. The distrust between French and Turkish press during this era is evident through various elements such as an animal representing the Ottoman Empire drowning in turbulent waters. As we explore further, we notice subtle references to historical events and cultural aspects. The sultan's presence hints at the power dynamics within Turkey while emphasizing its connection to France. The view of a city in the background adds depth to this narrative. This artwork not only captures significant moments from history but also showcases Georges d'Ostoya's exceptional talent as an engraver. His use of colors brings life to this piece and enhances its impact on viewers. "The Butter Plate, number 387, Satirical in Colors" serves as a reminder of how art can transcend time and provide valuable insights into past societies. It invites us to reflect on political tensions and journalistic practices prevalent during that period while appreciating Ostoya's artistic brilliance.
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