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Illustration of Achille Lemot (1846-1909) in Le Pelerin, 25 / 02 / 06 - Antisemitism, Religion Faith, Catholic Catholicism - Separation of Church and State, Inventories / Reactions to Inventories - Jew

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 25  /  02  /  06 - Antisemitism, Religion Faith, Catholic Catholicism - Separation of Church and State, Inventories  /  Reactions to Inventories - Jew


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Illustration of Achille Lemot (1846-1909) in Le Pelerin, 25 / 02 / 06 - Antisemitism, Religion Faith, Catholic Catholicism - Separation of Church and State, Inventories / Reactions to Inventories - Jew

ICA4944224 Illustration of Achille Lemot (1846-1909) in Le Pelerin, 25/02/06 - Antisemitism, Religion Faith, Catholic Catholicism - Separation of Church and State, Inventories/Reactions to Inventories - Jew by Lemot, Achille (1846-1909); (add.info.: Illustration of Achille Lemot (1846-1909) in Le Pelerin, 25/02/06 - Antisemitism, Religion Faith, Catholic Catholicism - Separation of Church and State, Inventories/Reactions to Inventories - Jew); Photo © Caricadoc

Media ID 25900318

© Caricadoc / Bridgeman Images

Achille Lemot Administration Anti Semitism Chalice Crucifix Daily Newspaper Dispute Franc Masonry Jewess Judaic Lemot Achille 1846 1909 Newspaper Stand Orthodox Jews Political Reform Reform State Newspaper Brawl Caricadoc Jewish Religion Jews Journalism Years 1900


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EDITORS COMMENTS
The print captures an illustration of Achille Lemot, a prominent figure in the late 19th and early 20th century. Published in Le Pelerin on February 25,1906, the image delves into themes of antisemitism, religion faith, Catholicism, and the separation of church and state. Lemot's caricature depicts a Jew amidst a brawl surrounding political reform and religious disputes. The artist skillfully portrays various symbols such as a chalice representing wealth, a crucifix symbolizing Catholicism, and references to French administration. This thought-provoking artwork reflects the tensions present during that time period. The illustration also hints at Lemot's critical stance towards Freemasonry (Franc Masonry) through subtle imagery. It serves as an important historical document showcasing societal attitudes towards Jews in France during the early 20th century. This piece is part of Bridgeman Images' collection from Fine Art Finder. Its vibrant colors bring life to this significant work of art from the past. While it does not mention commercial use or any specific company associated with it, this print offers viewers an opportunity to delve into history and reflect on issues that still resonate today.

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