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Frontispiece to Universalis Philosophiae by Tommaso Campanella
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Frontispiece to Universalis Philosophiae by Tommaso Campanella
BMR322570 Frontispiece to Universalis Philosophiae by Tommaso Campanella, published in Paris, 1638 (engraving) by French School, (17th century); Bibliotheque Mazarine, Paris, France; (add.info.: comprehensive presentation of Campanellas philosophy and metaphysics; Campanella (1568-1639) was a Dominican monk, a philosopher, theologian, astrologer and poet; his heterodox philosophy, criticism of Aristotle and revolutionary New Age ideas led to his imprisonment for 27 years; on release in 1626 he later escaped to Paris, where he was protected by Richelieu and Louis XIII; ); eBibliotheque Mazarine; eArchives Charmet; French, out of copyright
Media ID 22947016
© Bibliotheque Mazarine Archives Charmet / Bridgeman Images
Bell Copernican Copernicus Enlightenment Galilee Galileo Galilei Palm Tree Renascence Vine Symbols
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EDITORS COMMENTS
The captivating frontispiece to Universalis Philosophiae by Tommaso Campanella, published in Paris in 1638, is a visual representation of the comprehensive presentation of Campanella's philosophy and metaphysics. This engraving, created by the French School in the 17th century, can be found at the Bibliotheque Mazarine in Paris, France. Tommaso Campanella was not just a Dominican monk but also a philosopher, theologian, astrologer, and poet. His heterodox philosophy challenged Aristotle's teachings and introduced revolutionary New Age ideas that ultimately led to his imprisonment for an astonishing 27 years. Upon his release in 1626, he managed to escape to Paris where he found protection from Richelieu and Louis XIII. This intricate artwork is rich with symbolism representing various aspects of Renaissance thought. The presence of Copernican symbols like the bell and palm tree signifies Campanella's admiration for Nicolaus Copernicus' groundbreaking work on astronomy. The inclusion of Joachim of Fiore further emphasizes Campanella's fascination with eschatology and prophetic visions. The image also features references to other influential figures such as Galileo Galilei whose discoveries revolutionized our understanding of celestial bodies. The sun at the center symbolizes both enlightenment and scientific progress while the vine represents rebirth and growth during the Renaissance period. Overall, this remarkable print encapsulates not only Campanella's philosophical ideas but also serves as a testament to
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