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Leonardo da Vinci Collection (#14)

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Background imageLeonardo da Vinci Collection: Vegetable interlacing, 1498 (tempera on wall)

Vegetable interlacing, 1498 (tempera on wall)
LRI4684817 Vegetable interlacing, 1498 (tempera on wall) by Vinci, Leonardo da (1452-1519); Castello Sforzesco, Milan, Italy; (add.info.: Vegetable interlacing)

Background imageLeonardo da Vinci Collection: Study of female nude probably the Mona Lisa Bust denude assumes Mona Lisa (or Monna Lisa)

Study of female nude probably the Mona Lisa Bust denude assumes Mona Lisa (or Monna Lisa)
JLJ4653223 Study of female nude probably the Mona Lisa Bust denude assumes Mona Lisa (or Monna Lisa). Drawing on brown paper with black stone from the school of Leonard de Vinci (Leonardo da Vinci)

Background imageLeonardo da Vinci Collection: Outdoor banquet (Painting, end of 16th century)

Outdoor banquet (Painting, end of 16th century)
LRI4699950 Outdoor banquet (Painting, end of 16th century) by Toeput, Lodewijk (Pozzoserrato) (c.1550-1603/05); Private Collection; (add.info.: Outdoor banquet Reception in the park of a rich villa)

Background imageLeonardo da Vinci Collection: Exposition Universelle, Paris, 1900 (photochrom)

Exposition Universelle, Paris, 1900 (photochrom)
5242378 Exposition Universelle, Paris, 1900 (photochrom) by Detroit Publishing Co. (1880-1920); Private Collection; (add.info.: The Pavilions of the Nations); American, out of copyright

Background imageLeonardo da Vinci Collection: A Hunter Attending to Kenneled Dogs, c. 1430-40 (tempera, gold

A Hunter Attending to Kenneled Dogs, c. 1430-40 (tempera, gold
5242296 A Hunter Attending to Kenneled Dogs, c.1430-40 (tempera, gold, silver paint and leaf on parchment) by French School, (15th century); 26.4x18.4 cm; J

Background imageLeonardo da Vinci Collection: Head of an Old Man and Studies of Machinery, c. 1503-06 (black chalk, pen and brown ink)

Head of an Old Man and Studies of Machinery, c. 1503-06 (black chalk, pen and brown ink)
5242264 Head of an Old Man and Studies of Machinery, c.1503-06 (black chalk, pen and brown ink) by Vinci, Leonardo da (1452-1519); 21x14.1 cm; J

Background imageLeonardo da Vinci Collection: Horse and Cavalier (pen and ink on paper)

Horse and Cavalier (pen and ink on paper)
FTB165453 Horse and Cavalier (pen and ink on paper) by Vinci, Leonardo da (1452-1519) (school of); Gallerie dell Accademia, Venice, Italy; Italian, out of copyright

Background imageLeonardo da Vinci Collection: Virgin and Child with St. Anne, c. 1501-10 (pen and ink on paper)

Virgin and Child with St. Anne, c. 1501-10 (pen and ink on paper)
FTB165451 Virgin and Child with St. Anne, c.1501-10 (pen and ink on paper) by Vinci, Leonardo da (1452-1519); Gallerie dell Accademia, Venice, Italy; Italian, out of copyright

Background imageLeonardo da Vinci Collection: Torso of a Man in Profile, the Head Squared for Proportion, and Sketches of Two Horsemen

Torso of a Man in Profile, the Head Squared for Proportion, and Sketches of Two Horsemen
FTB165450 Torso of a Man in Profile, the Head Squared for Proportion, and Sketches of Two Horsemen, c.1490 and c.1504 (pen & ink and red chalk over metalpoint on paper by Vinci)

Background imageLeonardo da Vinci Collection: Head of Virgin, 1508-1512 (black chalk, charcoal, and red chalk, with some traces

Head of Virgin, 1508-1512 (black chalk, charcoal, and red chalk, with some traces
3432851 Head of Virgin, 1508-1512 (black chalk, charcoal, and red chalk, with some traces of white chalk on card) by Vinci, Leonardo da (1452-1519); 20.3x15.6 cm; Metropolitan Museum of Art

Background imageLeonardo da Vinci Collection: The Baptism of Christ, detail of Saint-John the Baptist, 1470-80 (oil on panel)

The Baptism of Christ, detail of Saint-John the Baptist, 1470-80 (oil on panel)
897196 The Baptism of Christ, detail of Saint-John the Baptist, 1470-80 (oil on panel) by Vinci, Leonardo da (1452-1519); Galleria degli Uffizi, Florence, Tuscany

Background imageLeonardo da Vinci Collection: Angel Gabriel, detail from the Annunciation, 1472-75 (oil on panel) (detail of 140570)

Angel Gabriel, detail from the Annunciation, 1472-75 (oil on panel) (detail of 140570)
XIR438876 Angel Gabriel, detail from the Annunciation, 1472-75 (oil on panel) (detail of 140570) by Vinci, Leonardo da (1452-1519); Galleria degli Uffizi, Florence, Tuscany

Background imageLeonardo da Vinci Collection: Head of a beardless old man, left profile (red chalk on paper)

Head of a beardless old man, left profile (red chalk on paper)
XIR72089 Head of a beardless old man, left profile (red chalk on paper) by Vinci, Leonardo da (1452-1519); 6.3x5.4 cm; Musee Bonnat, Bayonne, France; (add.info.: Head of Old Man Imberbe)

Background imageLeonardo da Vinci Collection: Geometry: 'An Icosahedron'Page taken from the manuscript '

Geometry: "An Icosahedron"Page taken from the manuscript "
LRI4635241 Geometry: " An Icosahedron" Page taken from the manuscript " De divina proportione" (On divine proportions)

Background imageLeonardo da Vinci Collection: Scientific diagrams, from the Codex Leicester

Scientific diagrams, from the Codex Leicester
XBP340124 Scientific diagrams, from the Codex Leicester, 1508-12 (sepia ink on linen paper) by Vinci, Leonardo da (1452-1519); Private Collection; Photo eBoltin Picture Library; Italian

Background imageLeonardo da Vinci Collection: Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519): Fight between a lion and a dragon

Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519): Fight between a lion and a dragon
GIM5038005 Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519): Fight between a lion and a dragon, GDSU 435 E (Immagina) by Vinci

Background imageLeonardo da Vinci Collection: Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519): Caricature portrait of a young man

Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519): Caricature portrait of a young man
GIM5037924 Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519): Caricature portrait of a young man (Immagina) by Vinci, Leonardo da (1452-1519); (add.info)

Background imageLeonardo da Vinci Collection: A page from the Codex Leicester, 1508-12 (sepia ink on linen paper)

A page from the Codex Leicester, 1508-12 (sepia ink on linen paper)
XBP340120 A page from the Codex Leicester, 1508-12 (sepia ink on linen paper) by Vinci, Leonardo da (1452-1519); Private Collection; (add.info)

Background imageLeonardo da Vinci Collection: Art de la guerre: etude sur les machines militaires, illustration tiree de

Art de la guerre: etude sur les machines militaires, illustration tiree de
GIA5035817 Art de la guerre: etude sur les machines militaires, illustration tiree de De re Militari de l ingenieur Roberto Valturio (1405-1483?), 1470

Background imageLeonardo da Vinci Collection: View of the monastery Nea Moni, 1042 (photography)

View of the monastery Nea Moni, 1042 (photography)
LRI4687576 View of the monastery Nea Moni, 1042 (photography) by Byzantine, (11th Century); Chios, Greece; (add.info.: Byzantine art)

Background imageLeonardo da Vinci Collection: Flying machine drawing. Manuscript by Leonard De Vinci (Leonardo da Vinci, 1452-1519)

Flying machine drawing. Manuscript by Leonard De Vinci (Leonardo da Vinci, 1452-1519)
JLJ4687564 Flying machine drawing. Manuscript by Leonard De Vinci (Leonardo da Vinci, 1452-1519), 16th century. Paris, Library of the Institute by Vinci

Background imageLeonardo da Vinci Collection: Art de la guerre: etude sur les machines militaires. utilisation du belier pour assieger

Art de la guerre: etude sur les machines militaires. utilisation du belier pour assieger
GIA5035791 Art de la guerre: etude sur les machines militaires. utilisation du belier pour assieger une tour, illustration tiree de De re Militari de l ingenieur Roberto Valturio (1405-1483?), 1470

Background imageLeonardo da Vinci Collection: Study of nude men (pen and ink on paper)

Study of nude men (pen and ink on paper)
XIR161934 Study of nude men (pen and ink on paper) by Vinci, Leonardo da (1452-1519); Ecole Nationale Superieure des Beaux-Arts, Paris, France; Italian, out of copyright

Background imageLeonardo da Vinci Collection: St Cecilia, c.1580 (oil on canvas)

St Cecilia, c.1580 (oil on canvas)
8620047 St Cecilia, c.1580 (oil on canvas) by Calvaert or Calvart, Denys (1540-1619); Galleria Nazionale (Complesso Monumentale della Pilotta), Parma, Emilia-Romagna, Italy; (add.info.: St Cecilia)

Background imageLeonardo da Vinci Collection: Head of a woman, called 'la scapigliata', c.1492-1501 (oil on panel)

Head of a woman, called "la scapigliata", c.1492-1501 (oil on panel)
8620035 Head of a woman, called "la scapigliata", c.1492-1501 (oil on panel) by Vinci, Leonardo da (1452-1519); Galleria Nazionale (Complesso Monumentale della Pilotta), Parma

Background imageLeonardo da Vinci Collection: Detail of the Heads of the Virgin and St. Anne, from The Virgin and Child with SS

Detail of the Heads of the Virgin and St. Anne, from The Virgin and Child with SS
BAL99053 Detail of the Heads of the Virgin and St. Anne, from The Virgin and Child with SS. Anne and John the Baptist, c.1499 (charcoal and white chalk on paper, mounted on canvas) by Vinci

Background imageLeonardo da Vinci Collection: Madonna of the Rocks (detail of Saint John and the Angel), 1483-6 (oil on canvas)

Madonna of the Rocks (detail of Saint John and the Angel), 1483-6 (oil on canvas)
XIR901323 Madonna of the Rocks (detail of Saint John and the Angel), 1483-6 (oil on canvas) by Vinci, Leonardo da (1452-1519); 199x122 cm; Louvre, Paris, France; (add.info.: La Vierge)

Background imageLeonardo da Vinci Collection: The Litta Madonna, c. 1490 (tempera on canvas transferred from panel)

The Litta Madonna, c. 1490 (tempera on canvas transferred from panel)
XIR899447 The Litta Madonna, c.1490 (tempera on canvas transferred from panel) by Vinci, Leonardo da (1452-1519); 42x33 cm; State Hermitage Museum, St

Background imageLeonardo da Vinci Collection: The Annunciation (detail of the angel), c. 1472-75 (oil on wood)

The Annunciation (detail of the angel), c. 1472-75 (oil on wood)
XIR897968 The Annunciation (detail of the angel), c.1472-75 (oil on wood) by Vinci, Leonardo da (1452-1519); Galleria degli Uffizi, Florence, Italy; (add.info.: L Annonciation)

Background imageLeonardo da Vinci Collection: The Annunciation (detail of the Virgin), c. 1472-1475 (oil on wood)

The Annunciation (detail of the Virgin), c. 1472-1475 (oil on wood)
XIR897969 The Annunciation (detail of the Virgin), c.1472-1475 (oil on wood) by Vinci, Leonardo da (1452-1519); Galleria degli Uffizi, Florence, Italy; (add.info.: L Annonciation)

Background imageLeonardo da Vinci Collection: The Virgin of the Rocks (with the Infant St

The Virgin of the Rocks (with the Infant St
BAL869965 The Virgin of the Rocks (with the Infant St. John adoring the Infant Christ accompanied by an Angel), c.1508 (oil on panel) (detail of 28916) by Vinci

Background imageLeonardo da Vinci Collection: Detail of the Angel, from The Virgin of the Rocks (The Virgin with the Infant St

Detail of the Angel, from The Virgin of the Rocks (The Virgin with the Infant St
BAL72634 Detail of the Angel, from The Virgin of the Rocks (The Virgin with the Infant St. John adoring the Infant Christ accompanied by an Angel), c.1508 (oil on panel) by Vinci

Background imageLeonardo da Vinci Collection: Detail of the Head of the Virgin, from The Virgin of the Rocks (The Virgin with the

Detail of the Head of the Virgin, from The Virgin of the Rocks (The Virgin with the
BAL72633 Detail of the Head of the Virgin, from The Virgin of the Rocks (The Virgin with the Infant Saint John adoring the Infant Christ accompanied by an Angel), c.1508 (oil on panel) by Vinci

Background imageLeonardo da Vinci Collection: Profile of a Young Fiancee (Chalk, pen, ink and wash tint on vellum)

Profile of a Young Fiancee (Chalk, pen, ink and wash tint on vellum)
XOS702752 Profile of a Young Fiancee (Chalk, pen, ink and wash tint on vellum) by Vinci, Leonardo da (1452-1519); 33x22 cm; Private Collection; (add.info)

Background imageLeonardo da Vinci Collection: The Last Supper, 1495-97 (fresco) (post restoration)

The Last Supper, 1495-97 (fresco) (post restoration)
BAL451831 The Last Supper, 1495-97 (fresco) (post restoration) by Vinci, Leonardo da (1452-1519); Santa Maria della Grazie, Milan

Background imageLeonardo da Vinci Collection: Madonna of the Rocks, c. 1478 (oil on panel transferred to canvas) (also see 2038)

Madonna of the Rocks, c. 1478 (oil on panel transferred to canvas) (also see 2038)
XIR430967 Madonna of the Rocks, c.1478 (oil on panel transferred to canvas) (also see 2038) by Vinci, Leonardo da (1452-1519); 199x122 cm; Louvre, Paris, France; (add.info.: La Vierge)

Background imageLeonardo da Vinci Collection: Mona Lisa, c. 1503-6 (oil on panel)

Mona Lisa, c. 1503-6 (oil on panel)
XIR419685 Mona Lisa, c.1503-6 (oil on panel) by Vinci, Leonardo da (1452-1519); 77x53 cm; Louvre, Paris, France; (add.info)

Background imageLeonardo da Vinci Collection: The Proportions of the human figure (after Vitruvius), c. 1492 (pen & ink on paper)

The Proportions of the human figure (after Vitruvius), c. 1492 (pen & ink on paper)
BAL4146 The Proportions of the human figure (after Vitruvius), c.1492 (pen & ink on paper) by Vinci, Leonardo da (1452-1519); 34.3x24.5 cm; Galleria dell Accademia, Venice

Background imageLeonardo da Vinci Collection: Portrait of a Lady from the Court of Milan, c. 1490-95 (oil on panel)

Portrait of a Lady from the Court of Milan, c. 1490-95 (oil on panel)
XIR34379 Portrait of a Lady from the Court of Milan, c.1490-95 (oil on panel) by Vinci, Leonardo da (1452-1519); 63x45 cm; Louvre, Paris

Background imageLeonardo da Vinci Collection: The Adoration of the Magi, 1481-2 (oil on panel)

The Adoration of the Magi, 1481-2 (oil on panel)
BAL33484 The Adoration of the Magi, 1481-2 (oil on panel) by Vinci, Leonardo da (1452-1519); 246x243 cm; Galleria degli Uffizi, Florence, Italy; Italian, out of copyright

Background imageLeonardo da Vinci Collection: Mona Lisa, c. 1503-6 (oil on panel)

Mona Lisa, c. 1503-6 (oil on panel)
XIR3179 Mona Lisa, c.1503-6 (oil on panel) by Vinci, Leonardo da (1452-1519); 77x53 cm; Louvre, Paris, France; (add.info)

Background imageLeonardo da Vinci Collection: Study for a Madonna with a Cat, c. 1478-80 (pen and ink over stylus underdrawing on paper)

Study for a Madonna with a Cat, c. 1478-80 (pen and ink over stylus underdrawing on paper)
XJF311691 Study for a Madonna with a Cat, c.1478-80 (pen and ink over stylus underdrawing on paper) by Vinci, Leonardo da (1452-1519); 13.2x9.5 cm; British Museum, London, UK; Italian

Background imageLeonardo da Vinci Collection: Studies for the heads of two soldiers in The Battle of Anghiari, c. 1504-05

Studies for the heads of two soldiers in The Battle of Anghiari, c. 1504-05
XJF311696 Studies for the heads of two soldiers in The Battle of Anghiari, c.1504-05 (black chalk or charcoal on paper) by Vinci, Leonardo da (1452-1519); 19.1x18.8 cm; Museum of Fine Arts, Budapest

Background imageLeonardo da Vinci Collection: Rex et Regina de Tunis (chalk on paper)

Rex et Regina de Tunis (chalk on paper)
XJF311697 Rex et Regina de Tunis (chalk on paper) by Vinci, Leonardo da (1452-1519); Private Collection; Italian, out of copyright

Background imageLeonardo da Vinci Collection: Studies for a Madonna with a cat, c. 1478-80 (pen and ink over black chalk on paper)

Studies for a Madonna with a cat, c. 1478-80 (pen and ink over black chalk on paper)
XJF311693 Studies for a Madonna with a cat, c.1478-80 (pen and ink over black chalk on paper) by Vinci, Leonardo da (1452-1519); 27.4x19 cm; British Museum, London, UK; Italian, out of copyright

Background imageLeonardo da Vinci Collection: Study for the head of a soldier in The Battle of Anghiari, c

Study for the head of a soldier in The Battle of Anghiari, c
XJF311695 Study for the head of a soldier in The Battle of Anghiari, c.1504-05 (red chalk on paper) by Vinci, Leonardo da (1452-1519); 22.6x18.6 cm; Museum of Fine Arts, Budapest

Background imageLeonardo da Vinci Collection: Drapery study for a kneeling figure seen in three-quarter profile to the left, c

Drapery study for a kneeling figure seen in three-quarter profile to the left, c
XJF311694 Drapery study for a kneeling figure seen in three-quarter profile to the left, c.1475 (tempera with white heightening on canvas) by Vinci, Leonardo da (1452-1519); British Museum, London

Background imageLeonardo da Vinci Collection: Study for the Virgin and Child with St. Anne, c

Study for the Virgin and Child with St. Anne, c
XJF311692 Study for the Virgin and Child with St. Anne, c.1501 (pen and ink over black chalk on paper) by Vinci, Leonardo da (1452-1519); 26x19.7 cm; British Museum, London, UK; Italian



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