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Head of Virgin, 1508-1512 (black chalk, charcoal, and red chalk, with some traces

Head of Virgin, 1508-1512 (black chalk, charcoal, and red chalk, with some traces


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Head of Virgin, 1508-1512 (black chalk, charcoal, and red chalk, with some traces

3432851 Head of Virgin, 1508-1512 (black chalk, charcoal, and red chalk, with some traces of white chalk on card) by Vinci, Leonardo da (1452-1519); 20.3x15.6 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Preparatory study for Virgin and Child with Saint Anne, some later intervention by another hand
); Italian, out of copyright

Media ID 18260883

© Metropolitan Museum of Art, New York, USA / Bridgeman Images

Chalk Gospels Italian Renaissance Loving Preparatory Tendril


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EDITORS COMMENTS
This print showcases Leonardo da Vinci's "Head of Virgin" a preparatory study for his renowned masterpiece, the "Virgin and Child with Saint Anne". Created between 1508-1512, this black chalk, charcoal, and red chalk drawing on card measures 20.3x15.6 cm and is housed in the Metropolitan Museum of Art in New York. Leonardo's meticulous attention to detail is evident in every stroke of this exquisite artwork. The delicate lines reveal the tender face of the Virgin Mary, exuding love and devotion. Through his masterful use of two chalk techniques, he brings forth a sense of depth and dimensionality that adds to the realism captured within her visage. As a prominent figure in Christian art history, Leonardo captures not only the physical beauty but also the spiritual essence of Mary as described in biblical texts. This portrayal resonates deeply with viewers as they contemplate her role as both mother and divine figure. While some traces suggest later intervention by another hand, it does not diminish the significance or impact of this piece. It serves as a testament to Leonardo's genius during Italy's Renaissance period—a time when religion played an integral part in shaping artistic expression. This print allows us to appreciate Leonardo da Vinci's exceptional talent up close while reminding us of his lasting influence on art history worldwide.

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