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Vanite still life of skull crown of laurels, flutes, score and wine jug

Vanite still life of skull crown of laurels, flutes, score and wine jug


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Vanite still life of skull crown of laurels, flutes, score and wine jug

JLJ4656340 Vanite still life of skull crown of laurels, flutes, score and wine jug. Painting by Simon Bernard of Saint Andre (1613-1677) 17th century Sun. 0, 6x0, 43 m Lyon, Musee des Beaux Arts by Saint-Andre, Simon Renard de (1613-1677); (add.info.: Vanite still life of skull crown of laurels, flutes, score and wine jug. Painting by Simon Bernard of Saint Andre (1613-1677) 17th century Sun. 0, 6x0, 43 m Lyon, Musee des Beaux Arts); Photo ePhoto Josse; French, out of copyright

Media ID 22280332

© Josse / Bridgeman Images

Capital Sins Crown Of Leaves Flute Haughtiness Laurel Partition Seal Skeleton Skull Soap Bubble Vanita Art Vice


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> Arts > Artists > Jean Francois Millet

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> Arts > Still life artwork > Still life art > Still life paintings

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EDITORS COMMENTS
This print captures a mesmerizing vanitas still life painting by Simon Bernard of Saint Andre, a renowned artist from the 17th century. The composition features an intriguing combination of symbolic elements that invite contemplation on the transience of life and the inevitability of death. At the center, a haunting skull serves as a stark reminder of our mortality, crowned with laurels symbolizing both achievement and decay. Flutes lie nearby, their silent presence evoking melodies that will never be played again. A score rests alongside them, hinting at forgotten compositions and lost opportunities. A wine jug stands as a testament to earthly pleasures and indulgence, while soap bubbles floating in the air reflect fleeting moments of joy and illusion. These objects are carefully arranged against a backdrop that showcases intricate details such as musical instruments and game pieces. The painting masterfully explores themes such as vanity, haughtiness, vice, and capital sins through its meticulously crafted symbolism. It is an exquisite example of vanitas art—a genre popular during this period—reminding viewers to contemplate the impermanence of worldly pursuits. This remarkable print allows us to appreciate not only Simon Bernard's artistic skill but also his ability to provoke introspection through visual storytelling. Displayed in Lyon's Musee des Beaux Arts, it continues to captivate audiences centuries after its creation.

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