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Stained glass project for Saint-Maurice, c. 1930-32 (gouache on paper)

Stained glass project for Saint-Maurice, c. 1930-32 (gouache on paper)


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Stained glass project for Saint-Maurice, c. 1930-32 (gouache on paper)

7388952 Stained glass project for Saint-Maurice, c.1930-32 (gouache on paper) by Cingria, Alexandre (1879-1945); 64x41 cm; Private Collection; (add.info.: Artist: Alexandre Cingria (1879-1945)); © Philippe Clerc Fine Arts

Media ID 32012768

© Philippe Clerc Fine Arts / Bridgeman Images

Friar Holy Art Holy Image Icon Preparatory Sketch Religious Illustration Religious Image Religious Imagery Religous Icon Sacred Icon Sacred Picture Stigmata Study Drawing 1930 1939 Years 30 30s 1930 1939 Years 30s 19301939 1933 34 Monks Nineteen Thirties Years 1930 Years 30 Years Thirty


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EDITORS COMMENTS
This print showcases a stunning stained glass project created by Alexandre Cingria for Saint-Maurice in the early 1930s. The artwork, rendered in gouache on paper, measures 64x41 cm and is part of a private collection. Alexandre Cingria (1879-1945), the talented artist behind this masterpiece, was known for his exceptional skills in creating religious imagery. In this particular piece, he skillfully captures the essence of spirituality and devotion through vibrant colors and intricate details. The image depicts a man with stigmata, symbolizing the wounds of Christ's crucifixion. Surrounding him are monks or friars immersed in deep contemplation. The religious iconography evokes a sense of reverence and holiness. Cingria's preparatory sketch reveals his meticulous approach to capturing every nuance before translating it into stained glass form. His attention to detail is evident as each element harmoniously blends together to create an awe-inspiring composition. This artwork not only exemplifies Cingria's mastery but also represents the sacredness and beauty found within religious art. It serves as a testament to the enduring power of faith and its ability to inspire profound emotions. As we admire this remarkable piece from the early twentieth century, we are reminded of how art can transcend time and continue to captivate viewers with its timeless beauty.

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