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Study Drawing Collection

"Exploring the Art of Study Drawing: From Venice's San Giorgio to Captivating Portraits" Immerse yourself in the world of study drawing

Background imageStudy Drawing Collection: Venice, San Giorgio (colour litho)

Venice, San Giorgio (colour litho)
7159740 Venice, San Giorgio (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Venice, San Giorgio)

Background imageStudy Drawing Collection: Source Size = 3765 x 1683

Source Size = 3765 x 1683
Sketches of Ancient Buildings at Dacca, Bengal: Ruined Gateway

Background imageStudy Drawing Collection: Study of Santa Rosalia of Palermo, 1659-64 (black chalk with smudging on ivory laid paper)

Study of Santa Rosalia of Palermo, 1659-64 (black chalk with smudging on ivory laid paper)
5862014 Study of Santa Rosalia of Palermo, 1659-64 (black chalk with smudging on ivory laid paper) by Ferri, Ciro (1634-89); 20.4x18.5 cm; The Art Institute of Chicago, IL

Background imageStudy Drawing Collection: The Cowherdess, Eragny, 1886 (crayon)

The Cowherdess, Eragny, 1886 (crayon)
XOS5885343 The Cowherdess, Eragny, 1886 (crayon) by Pissarro, Camille (1830-1903); 43.6x29.1 cm; Cleveland Museum of Art, OH

Background imageStudy Drawing Collection: Study of a Plaster Cast (a la bosse), 1806 (black chalk with graphite )

Study of a Plaster Cast (a la bosse), 1806 (black chalk with graphite )
XOS5884187 Study of a Plaster Cast (a la bosse), 1806 (black chalk with graphite ) by Millet, Frederic (1786-1859); 46.3x38.2 cm; Cleveland Museum of Art, OH

Background imageStudy Drawing Collection: Portrait of a Woman, 1758-62 ( black, white & red chalk, on blue paper)

Portrait of a Woman, 1758-62 ( black, white & red chalk, on blue paper)
8677946 Portrait of a Woman, 1758-62 ( black, white & red chalk, on blue paper) by Liotard, Jean-Etienne (1702-89); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Drawing by Jean Etienne Liotard)

Background imageStudy Drawing Collection: Lobster and Two Witches, c.1602 (pen & w/c on paper)

Lobster and Two Witches, c.1602 (pen & w/c on paper)
7443777 Lobster and Two Witches, c.1602 (pen & w/c on paper) by Gheyn, Jacques II de (1565-1629); Stadel Museum, Frankfurt am Main, Germany; (add.info.: By Jacques de Gheyn II)

Background imageStudy Drawing Collection: Saint Jerome in a Landscape (pen & ink on paper)

Saint Jerome in a Landscape (pen & ink on paper)
3598792 Saint Jerome in a Landscape (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

Background imageStudy Drawing Collection: Apostle (charcoal on paper)

Apostle (charcoal on paper)
3598783 Apostle (charcoal on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

Background imageStudy Drawing Collection: Study for Fountain (pen & ink on paper)

Study for Fountain (pen & ink on paper)
3598765 Study for Fountain (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

Background imageStudy Drawing Collection: Cloud study by Luke Howard, c 1808-1811

Cloud study by Luke Howard, c 1808-1811
UIG5092156 Cloud study by Luke Howard, c 1808-1811 by Howard, Luke (1772-1864); Science Museum, London, UK; (add.info.: Cloud study by Luke Howard, c 1808-1811)

Background imageStudy Drawing Collection: A Bear Eating a Rabbit (pen & ink on paper)

A Bear Eating a Rabbit (pen & ink on paper)
3598791 A Bear Eating a Rabbit (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

Background imageStudy Drawing Collection: Saint Sebastian (pen & ink with wash on paper)

Saint Sebastian (pen & ink with wash on paper)
3598786 Saint Sebastian (pen & ink with wash on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: San Sebastiano (1714F) Uffizi, G.D.S., Firenze

Background imageStudy Drawing Collection: Battle (pen & ink on paper)

Battle (pen & ink on paper)
3598775 Battle (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: Battaglia (1720F) Uffizi, G.D.S., Firenze, Toscana

Background imageStudy Drawing Collection: Angel of the Annunciation (chalk on paper)

Angel of the Annunciation (chalk on paper)
3598750 Angel of the Annunciation (chalk on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: Angelo della annunciazione (12903 F) Uffizi, G.D.S.

Background imageStudy Drawing Collection: Water Lane, Stratford St.Mary, 1831 (watercolour on paper)

Water Lane, Stratford St.Mary, 1831 (watercolour on paper)
7528536 Water Lane, Stratford St.Mary, 1831 (watercolour on paper) by Constable, John (1776-1837); 23x18 cm; Gallery Oldham

Background imageStudy Drawing Collection: Ixias, 1904 (pencil, watercolour, paper)

Ixias, 1904 (pencil, watercolour, paper)
7443874 Ixias, 1904 (pencil, watercolour, paper) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: PR.1969.12.b DRAWINGS drawing; watercolour IXIAS Mackintosh)

Background imageStudy Drawing Collection: Sketch drawing of a group of women, Ramose's tomb

Sketch drawing of a group of women, Ramose's tomb
8586902 Sketch drawing of a group of women, Ramose's tomb by Egyptian; Necropolis, Luxor, Thebes, Egypt; (add.info.: Egypt TT55)

Background imageStudy Drawing Collection: Cloud study by Luke Howard, c 1808-1811

Cloud study by Luke Howard, c 1808-1811
UIG5066999 Cloud study by Luke Howard, c 1808-1811 by Howard, Luke (1772-1864); Science Museum, London, UK; (add.info.: Cloud study by Luke Howard, c 1808-1811)

Background imageStudy Drawing Collection: Landscape roughed in show cumulaic heap similar to tops of trees, 1803-1811

Landscape roughed in show cumulaic heap similar to tops of trees, 1803-1811
UIG5102127 Landscape roughed in show cumulaic heap similar to tops of trees, 1803-1811 by Howard, Luke (1772-1864); (add.info.: Landscape roughed in show cumulaic heap similar to tops of trees)

Background imageStudy Drawing Collection: Study for a the Portrait of the Duke of Urbino (pen & ink on paper)

Study for a the Portrait of the Duke of Urbino (pen & ink on paper)
3598795 Study for a the Portrait of the Duke of Urbino (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S.)

Background imageStudy Drawing Collection: Landscape with trees on the left and a city in the background (pen & ink on paper)

Landscape with trees on the left and a city in the background (pen & ink on paper)
3598760 Landscape with trees on the left and a city in the background (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S.)

Background imageStudy Drawing Collection: View of a Mountainous Coast (ink on paper)

View of a Mountainous Coast (ink on paper)
3598745 View of a Mountainous Coast (ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); Photo © Raffaello Bencini

Background imageStudy Drawing Collection: Aggregate cumulus in different stages, 1803-1811

Aggregate cumulus in different stages, 1803-1811
UIG5102122 Aggregate cumulus in different stages, 1803-1811 by Howard, Luke (1772-1864); (add.info.: Aggregate cumulus in different stages, 1803-1811)

Background imageStudy Drawing Collection: Light cirro-cumulus beneath cirrus, 1803-1811

Light cirro-cumulus beneath cirrus, 1803-1811
UIG5102121 Light cirro-cumulus beneath cirrus, 1803-1811 by Howard, Luke (1772-1864); Science Museum, London, UK; (add.info.: Light cirro-cumulus beneath cirrus, 1803-1811)

Background imageStudy Drawing Collection: Dark cirrostratus, 1803-1811

Dark cirrostratus, 1803-1811
UIG5102119 Dark cirrostratus, 1803-1811 by Howard, Luke (1772-1864); (add.info.: Dark cirrostratus, 1803-1811. Blue wash cloud study by Luke Howard FRS)

Background imageStudy Drawing Collection: Light cumulus and stratus above a sea inlet, 1803-1811

Light cumulus and stratus above a sea inlet, 1803-1811
UIG5102116 Light cumulus and stratus above a sea inlet, 1803-1811 by Howard, Luke (1772-1864); (add.info.: Light cumulus and stratus above a sea inlet, 1803-1811)

Background imageStudy Drawing Collection: Rural landscape and cloud study by Luke Howard, c 1808-1811

Rural landscape and cloud study by Luke Howard, c 1808-1811
UIG5062548 Rural landscape and cloud study by Luke Howard, c 1808-1811 by Howard, Luke (1772-1864); Science Museum, London, UK; (add.info.: Rural landscape and cloud study by Luke Howard)

Background imageStudy Drawing Collection: Sketch drawing of a group of men, Ramose's tomb

Sketch drawing of a group of men, Ramose's tomb
8586889 Sketch drawing of a group of men, Ramose's tomb by Egyptian; Necropolis, Luxor, Thebes, Egypt; (add.info.: Egypt TT55, Ramose's Thebarian Tomb Sketch drawing of a group of men)

Background imageStudy Drawing Collection: Cock Point, near Folkestone, 1833 (watercolour on paper)

Cock Point, near Folkestone, 1833 (watercolour on paper)
7528535 Cock Point, near Folkestone, 1833 (watercolour on paper) by Constable, John (1776-1837); 20.5x12 cm; Gallery Oldham

Background imageStudy Drawing Collection: Detail of a dog crossing the Red Sea (pen & ink on paper)

Detail of a dog crossing the Red Sea (pen & ink on paper)
3598794 Detail of a dog crossing the Red Sea (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze)

Background imageStudy Drawing Collection: Soldier with Mantel (pen & ink on paper)

Soldier with Mantel (pen & ink on paper)
3598788 Soldier with Mantel (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

Background imageStudy Drawing Collection: The Virgin Mary with Apostles of Santo Spirito ()

The Virgin Mary with Apostles of Santo Spirito ()
3598763 The Virgin Mary with Apostles of Santo Spirito ( by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

Background imageStudy Drawing Collection: Landscape with Birds in Flight (ink on paper)

Landscape with Birds in Flight (ink on paper)
3598747 Landscape with Birds in Flight (ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian); Photo © Raffaello Bencini

Background imageStudy Drawing Collection: Back view of Roman marble of the Boy with a Goose in his lost drawing book preserved in

Back view of Roman marble of the Boy with a Goose in his lost drawing book preserved in the Chatsworth record
8601589 Back view of Roman marble of the Boy with a Goose in his lost drawing book preserved in the Chatsworth record, fol 64v-65r (pen & ink on paper) by Rubens

Background imageStudy Drawing Collection: Drawing of a man, Ramose's tomb

Drawing of a man, Ramose's tomb
8586937 Drawing of a man, Ramose's tomb by Egyptian; Necropolis, Luxor, Thebes, Egypt; (add.info.: Egypt TT55, Ramose's Thebarian Tomb Charcoal drawing of a man); © Jean Bernard

Background imageStudy Drawing Collection: Tomb of Ramses IX, Luxor

Tomb of Ramses IX, Luxor
8587842 Tomb of Ramses IX, Luxor by Egyptian; Valley of the Kings, Thebes, Egypt; (add.info.: Egypt. Luxor, city on the Nile of ancient Thebes)

Background imageStudy Drawing Collection: Layers of stratus, wreathing mountain slopes, c 1803-1811

Layers of stratus, wreathing mountain slopes, c 1803-1811
UIG5102163 Layers of stratus, wreathing mountain slopes, c 1803-1811 by Howard, Luke (1772-1864); Science Museum, London, UK; (add.info.: Layers of stratus, wreathing mountain slopes, c 1803-1811)

Background imageStudy Drawing Collection: Sketches: Reclining Nude, Man Supporting the Body of, 1818-1819 (graphite, on cream wove paper)

Sketches: Reclining Nude, Man Supporting the Body of, 1818-1819 (graphite, on cream wove paper)
5860103 Sketches: Reclining Nude, Man Supporting the Body of, 1818-1819 (graphite, on cream wove paper, perimeter mounted on cream wove paper) by Gericault

Background imageStudy Drawing Collection: Houses and an Eagle (pen & ink on paper)

Houses and an Eagle (pen & ink on paper)
3598793 Houses and an Eagle (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

Background imageStudy Drawing Collection: Roman Emperor (pen & ink on paper)

Roman Emperor (pen & ink on paper)
3598779 Roman Emperor (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

Background imageStudy Drawing Collection: Madonna and Child seated on clouds with saints, or apostles (pen & ink on paper)

Madonna and Child seated on clouds with saints, or apostles (pen & ink on paper)
3598777 Madonna and Child seated on clouds with saints, or apostles (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S.)

Background imageStudy Drawing Collection: Head of a Woman (charcoal on paper)

Head of a Woman (charcoal on paper)
3598773 Head of a Woman (charcoal on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Madonna e donna inginocchiata (8788) - testa di Madonna (8803) (12898F) Uffizi

Background imageStudy Drawing Collection: Nude Woman (chalk on paper)

Nude Woman (chalk on paper)
3598762 Nude Woman (chalk on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

Background imageStudy Drawing Collection: Apostle (chalk on paper)

Apostle (chalk on paper)
3598752 Apostle (chalk on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Toscana, Toscana)

Background imageStudy Drawing Collection: Studies of the Virgin (charcoal on paper)

Studies of the Virgin (charcoal on paper)
3598748 Studies of the Virgin (charcoal on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: Madonna e donna inginocchiata (8788) - testa di Madonna (8803) (12898 FV) Uffizi

Background imageStudy Drawing Collection: View of a Mountainous Coast (ink on paper)

View of a Mountainous Coast (ink on paper)
3598743 View of a Mountainous Coast (ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian); Photo © Raffaello Bencini

Background imageStudy Drawing Collection: The Terrace, Haddon, 1845 (watercolour, black chalk and pencil on paper)

The Terrace, Haddon, 1845 (watercolour, black chalk and pencil on paper)
7528548 The Terrace, Haddon, 1845 (watercolour, black chalk and pencil on paper) by Cox, David (1783-1859); 28x21 cm; Gallery Oldham



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"Exploring the Art of Study Drawing: From Venice's San Giorgio to Captivating Portraits" Immerse yourself in the world of study drawing, where artists capture intricate details and emotions through various mediums. Transporting us to the enchanting city of Venice, a vibrant color lithograph depicts the magnificent San Giorgio, inviting us to delve into artistic inspiration. Intriguingly, a sick woman lies in bed, possibly Saskia, wife of a renowned painter from 1640. With pen, brush, and gouache as their tools, artists skillfully bring forth delicate nuances and tender expressions. Moving forward in time to c. 1723-24, we encounter an academic nude seated with hands clasped on light brown paper using red and white chalk. The artist masterfully portrays both vulnerability and strength through this captivating figure study. Head studies painted meticulously on panel showcase the artist's dedication to capturing every detail with oil paints. These intimate glimpses into human features allow for exploration of individuality and character. A graphite sketch titled "Tuning" transports us back to 1867 when an artist used simple lines to convey movement and rhythm within a musical scene. This minimalist approach highlights the power of suggestion while leaving room for interpretation. Traveling once again to Venice in 1840 via pencil and watercolor on card medium reveals "First of the Month's Sculptures. " This artwork captures St Mark's Square adorned with sculptures that celebrate artistry itself—a tribute within a tribute. "The Triumph of the Church, " created after 1628 using oil on wood technique showcases religious symbolism intertwined with artistic prowess—an allegorical representation that captivates viewers' imagination. Delving deeper into history brings us face-to-face with Guinevere herself during her portrayal as Sir Launcelot's muse in 1857. Pencil strokes combined with watercolors breathe life into this study—offering a glimpse into the artist's creative process.