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A Paris Belle, published by Hannah Humphrey in 1794 (hand-coloured etching)
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A Paris Belle, published by Hannah Humphrey in 1794 (hand-coloured etching)
NCO190124 A Paris Belle, published by Hannah Humphrey in 1794 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright
Media ID 22931146
© Bridgeman Images
Cockade Grotesque Propaganda Propagandistic Roundel Tricolour Ugly French Revolution Yellow Ribbon
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EDITORS COMMENTS
This hand-coloured etching, titled "A Paris Belle" transports us back to the tumultuous era of the French Revolution. Published by Hannah Humphrey in 1794, this artwork is a testament to the power of political propaganda during that time. The central figure in this portrait is a grotesque caricature, representing a female character with an exaggerated masculine appearance. She wears a bonnet adorned with a tricolour cockade, symbolizing her allegiance to the revolutionary cause. A yellow ribbon tied around her neck adds further symbolism as it was associated with radical factions within the revolution. The artist, James Gillray, masterfully employs satire and exaggeration to convey his political message. The woman's ugly features and menacing expression are heightened by the presence of a dagger dripping with blood held in her hand. This macabre detail serves as a warning against those who opposed or threatened the ideals of liberty and equality espoused by the revolutionaries. Displayed within an oval roundel, this engraving aims to provoke strong emotions and rally support for revolutionary ideas among its viewers. It reflects both the propagandistic nature of art during this period and Gillray's skillful ability to create impactful visual narratives. Thanks to Bridgeman Images' collection, we can now appreciate this historical artwork that captures not only an important moment in history but also showcases artistic techniques employed for political purposes during times of great change.
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