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The Caneing in Conduit Street, published by Hannah Humphrey in 1796
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The Caneing in Conduit Street, published by Hannah Humphrey in 1796
NCO191729 The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Thomas Pitt, Lord Camelford (1775-1804) attacks George Vancouver (1758-98) in the street; revenge for Pitts flogging on Vancouvers ship Discovery in 1791;. It made Vancouver look like a coward, and had some written asides attacking his character. James Gillray, a friend of Camelford s, had done the drawing. It was of course slanderously untrue. But its effect was worse than that. It turned Vancouver, who had accomplished nearly as much as Captain Cook, into the near laughingstock of England); English, out of copyright
Media ID 22931230
© Bridgeman Images
Aggressive Assault Breeches Captain Cockade Document Encounter Enraged Frock Coat Hanoverian Hitting Laughing Naval Officer Onlooker Peer Political Satire Restraining Speech Bubble Striking Tricorn Urchin Vengeance Warehouse Brawl Holding Back
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The Caneing in Conduit Street
EDITORS COMMENTS
is a captivating and controversial print that captures a pivotal moment in history. Published by Hannah Humphrey in 1796, this hand-coloured etching by James Gillray depicts an intense altercation between Thomas Pitt, Lord Camelford, and George Vancouver. The scene portrays Lord Camelford seeking revenge for his flogging on Vancouver's ship Discovery back in 1791. With a raised cane and an enraged expression, Lord Camelford launches himself at Vancouver, who appears startled and defensive. The surrounding crowd watches with amusement as the aristocracy engages in this public brawl. Gillray's satirical artwork not only aimed to settle personal scores but also had far-reaching consequences for Vancouver's reputation. By portraying him as a cowardly figure through written asides attacking his character, it turned him into the laughingstock of England. This was particularly damaging considering Vancouver's significant achievements as an explorer comparable to Captain Cook. The print includes various elements such as speech bubbles, aggressive gestures, and even a pile of shackles symbolizing the harsh discipline prevalent during that era. It also highlights the intervention of bystanders attempting to restrain Lord Camelford while others laughingly observe the encounter. This political satire serves as both entertainment and commentary on society during Georgian times. Through its vivid imagery and biting caricatures, "The Caneing in Conduit Street" offers insight into the power dynamics within aristocratic circles while shedding light on the brutal nature of settling disputes during that period.
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