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Alecto and her Train at the Gate of Pandaemonium or The Recruiting Sarjeant enlising John
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Alecto and her Train at the Gate of Pandaemonium or The Recruiting Sarjeant enlising John
2966805 Alecto and her Train at the Gate of Pandaemonium or The Recruiting Sarjeant enlising John Bull into Revolution Service, pub. (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Charles James Fox (1746-1806); Augustus Henrry Fitzroy, Duke of Grafton (1735 - 1811): Richard Brinsley Sheridan (1751 - 1816); ); The Stapleton Collection; English, out of copyright
Media ID 23446504
© The Stapleton Collection / Bridgeman Images
Burly Demons Devils Drummer Fife Hissing John Bull Liberty Cap Pike Political Satire Recruit Recruiting Recruitment Serpents Yokel Flames
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EDITORS COMMENTS
The captivating print titled "Alecto and her Train at the Gate of Pandaemonium or The Recruiting Sarjeant enlising John Bull into Revolution Service" by James Gillray is a remarkable piece of political satire. This hand-coloured engraving, part of the Stapleton Collection, showcases a scene filled with symbolism and caricature. In this artwork, we witness Alecto, one of the Furies from Greek mythology representing vengeance, standing at the entrance to Pandaemonium - the capital city of Hell in John Milton's Paradise Lost. She is accompanied by her train consisting of demons and serpents hissing with delight as they recruit unsuspecting individuals into revolution service. The main focus is on John Bull, a personification of England, who appears burly and bewildered as he is enlisted by a recruiting sergeant. Surrounding them are prominent figures such as Charles James Fox, Augustus Henry Fitzroy (Duke of Grafton), and Richard Brinsley Sheridan. Each character represents different political ideologies during that time period. Gillray's attention to detail shines through in this print; from the drummer boy wearing a tricolour cockade to the flames engulfing Pandaemonium symbolizing chaos and upheaval. The artist uses humor and wit to critique societal issues while highlighting the manipulative nature of recruitment tactics. This engraving serves as both historical documentation and artistic expression. It invites viewers to delve deeper into its layers of meaning while appreciating Gillray's
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