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Guilty Childhood, the back cover of issue 389 of L Assiette au Beurre, September 1908
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Guilty Childhood, the back cover of issue 389 of L Assiette au Beurre, September 1908
7268492 Guilty Childhood, the back cover of issue 389 of L Assiette au Beurre, September 1908 by Naudin, Bernard (1876-1946); Private Collection; (add.info.: Delinquent children, thin and shaved (shorn), shod in wooden hooves, coming out of prison or reformatory - back cover of issue 389 of L Assiette au Beurre (September 1908) under the title " L Enfance", drawing by Bernard Naudin (1876-1946) - " And now that the Society has done its duty, become honest citizens" - redemption.); © Patrice Cartier. All rights reserved 2022
Media ID 25495216
© Patrice Cartier. All rights reserved 2022 / Bridgeman Images
3 People 3 Persons 3 Three People Bald Baldness Baldy Clog Clog Shoes Clogs Criminality Detention Facility Federal Prison Forgave Forgive Forgiven Forgiveness Jail Jailer Penitentiary Penury Poors Precariousness Preparatory Sketch Prison Prison Building Prison Grounds Prison System Prisoners Prisons Repentance Shaved Head Shaven Head Shoe Shoes Study Drawing Three Persons Woodshoes 1900 1909 Years 00 00s 1900 1910 Years 00 00s Little Boys Prisoner Several People Several Persons Societies Young Boy
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EDITORS COMMENTS
Guilty Childhood, the back cover of issue 389 of L'Assiette au Beurre, September 1908 captures a poignant scene that speaks volumes about the social issues and redemption in early 20th century France. The artwork by Bernard Naudin portrays three delinquent children emerging from prison or a reformatory, their thin bodies clad in wooden hooves. Their shaved heads symbolize their loss of innocence and the harsh realities they have faced. The title "L'Enfance" (Childhood) suggests that these young boys were forced to grow up too soon due to circumstances beyond their control. However, there is a glimmer of hope in this image as well. The caption beneath reads: "And now that society has done its duty, become honest citizens". It implies that society bears some responsibility for these children's plight and offers them an opportunity for redemption. Naudin's skillful sketching brings out the emotions on the faces of these young boys - fear, uncertainty, but also resilience. Their presence against a backdrop of poverty and precariousness highlights the stark contrast between childhood innocence and harsh reality. This artwork serves as a powerful reminder of the challenges faced by marginalized youth during this era while also emphasizing themes such as forgiveness and repentance. It invites viewers to reflect on societal structures and how they can play a role in shaping individuals' lives. Overall, "Guilty Childhood" is not just an artistic masterpiece but also a thought-provoking commentary on social justice issues prevalent at the turn of the 20th century.
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