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Leaving off Powder, or a Frugal Family saving the Guinea, pub
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Leaving off Powder, or a Frugal Family saving the Guinea, pub
3025383 Leaving off Powder, or a Frugal Family saving the Guinea, pub.1795 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: refers Duty on Hair Powder Act in 1795; portrait of Charles II (1630-85) with huge powdered wig; ); The Stapleton Collection; English, out of copyright
Media ID 22232898
© The Stapleton Collection / Bridgeman Images
Abstinence Apron Bald Comb Dandy Distressed Duty Emaciated Extravagant Feathers Gaunt Giving Up Hairdresser Hanoverian Hearth High Collar Luxury Mirror Obese Patriotic Political Satire Reading Newspaper Reflection Salon Scissors Scrawny Skinny Stylish Taxation Taxes Thin Ugly Vain Vanity Wigless Frugality
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Leaving off Powder - A Frugal Family's Bold Stand Against Extravagance
EDITORS COMMENTS
. This photo print, titled "Leaving off Powder, or a Frugal Family saving the Guinea" takes us back to the year 1795 and offers a glimpse into the satirical world of political caricature by James Gillray. The image humorously portrays a family seated around their hearth in an opulent salon, challenging societal norms and reflecting on the consequences of vanity. The central figure is Charles II, sporting an enormous powdered wig that symbolizes excessive luxury. However, this scene captures him wigless and bald as he contemplates giving up his extravagant hairstyle due to taxes imposed by the Duty on Hair Powder Act. His wife sits beside him with unpowdered hair, showcasing her commitment to frugality. Their son and daughter join them in this act of abstinence from frivolous fashion trends. The father looks distressed while attempting to try on a new wig under the watchful eye of his hairdresser. Meanwhile, their servant combing through scissors represents their determination to do without unnecessary expenses. In contrast to Charles II's obese figure and high collar coat, his emaciated wife stands as a stark reminder of society's obsession with appearance. This thought-provoking engraving challenges viewers' perspectives on wealth and extravagance while highlighting the importance of financial responsibility during times of taxation. Through intricate details such as ostrich plumes adorning fashionable hats and mirrors reflecting both vanity and reflection upon one's choices, Gillray masterfully captures the essence of Georgian society within this single artwork. It serves as a timeless reminder that true value lies not in material possessions but rather in prudence and self-awareness when it comes to personal finances.
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