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Overmantel Mirror, c. 1740 (carved giltwood and glass)

Overmantel Mirror, c. 1740 (carved giltwood and glass)


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Overmantel Mirror, c. 1740 (carved giltwood and glass)

500352 Overmantel Mirror, c.1740 (carved giltwood and glass) by Pascall, James (fl.1745); h:78.00 w:186.00 cm; Cleveland Museum of Art, OH, USA; Purchase from the J. H. Wade Fund; English, out of copyright

Media ID 22405534

© Purchase from the J. H. Wade Fund / Bridgeman Images

Faces Feathers Frame Furnishing Gilded Gilt Mantle Mirror Rococo


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Rococo

> Arts > Artists > Related Images

> Europe > United Kingdom > England > Cleveland

> Fine Art Finder > Artists > Indian School

> Fine Art Finder > Artists > James Pascall

> Fine Art Finder > Furniture: British


EDITORS COMMENTS
This print showcases the exquisite craftsmanship of an Overmantel Mirror, dating back to 1740. The mirror, crafted by James Pascall, is a stunning example of carved giltwood and glass artistry from the Rococo period. Standing at an impressive height of 78 centimeters and spanning a width of 186 centimeters, it commands attention as a focal point in any room. The ornate frame features intricate carvings that depict delicate feathers and decorative motifs, adding a touch of elegance to its overall design. The gilded finish further enhances its opulence, making it a true statement piece for any mantle or wall space. With its grandeur and timeless beauty, this mirror captures the essence of English furniture during the 18th century. Its presence evokes images of lavish interiors adorned with luxurious furnishings and elaborate decorations. Now housed in the Cleveland Museum of Art in Ohio, USA, this remarkable piece was acquired through the J. H. Wade Fund. As part of their collection, it serves as a testament to the enduring allure and artistic mastery found within historical decorative arts. Through this print from Bridgeman Images' Fine Art Finder collection, viewers can appreciate not only the skillful craftsmanship but also gain insight into an era where ornamental mirrors were more than just functional objects – they were works of art that reflected both style and status.

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