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The Antechamber of the Sala del Maggior Consiglio, c. 1765-68 (oil on canvas)

The Antechamber of the Sala del Maggior Consiglio, c. 1765-68 (oil on canvas)


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The Antechamber of the Sala del Maggior Consiglio, c. 1765-68 (oil on canvas)

3472220 The Antechamber of the Sala del Maggior Consiglio, c.1765-68 (oil on canvas) by Guardi, Francesco (1712-93); 34x50.8 cm; Metropolitan Museum of Art, New York, USA; (add.info.: The Sala del Maggior Consiglio at Palazzo Ducale is where hundreds of the aristocracy met in assembly. This antechamber is the Liag, with marble door frames and painted ceiling. Public officials wear long robes and flowing wigs, while petitioners are in street dress and black tricorne hats.
Pair with XOS 3614063); Italian, out of copyright

Media ID 22728374

© Bridgeman Images

Antechamber Beamed Council Chamber Doges Palace Officials Palazzo Ducale Petitioners Petitioning Pittura Di Tocco Tricorne Venetian Republic Venetian School Venetians


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> Arts > Art Movements > Renaissance Art

> Arts > Artists > G > Francesco Guardi

> Arts > Artists > I > Italian School Italian School

> Europe > Italy > Paintings

> Europe > Italy > Palaces

> Europe > Italy > Veneto > Related Images

> Europe > Italy > Veneto > Venice

> Fine Art Finder > Artists > Francesco Guardi

> Fine Art Finder > Artists > Henry Ossawa Tanner

> Fine Art Finder > Venice

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art

> Italian renaissance art


The Antechamber of the Sala del Maggior Consiglio, c. 1765-68

EDITORS COMMENTS
is a captivating oil painting by Francesco Guardi that offers a glimpse into the grandeur and political significance of 18th-century Venice. This exquisite print showcases the Liag, an antechamber adorned with marble door frames and a beautifully painted ceiling. In this scene, public officials can be seen donning long robes and flowing wigs as they engage in important discussions within the council chamber. Meanwhile, petitioners dressed in street attire and black tricorne hats patiently await their turn to present their requests. The stark contrast between these two groups highlights the social hierarchy prevalent during that time. The opulent interior of Palazzo Ducale serves as the backdrop for this mesmerizing artwork. Its gothic architecture, beamed ceilings, and intricate details transport viewers back to Renaissance-era Venice. Guardi's masterful use of pittura di tocco technique brings life to every brushstroke, capturing both the splendor and complexity of Venetian society. This remarkable piece not only celebrates Italian artistry but also provides valuable insights into European history. It reminds us of the power dynamics at play within societies like Venetian Republic while showcasing how individuals from different walks of life coexisted within its walls. Displayed proudly at The Metropolitan Museum of Art in New York City, this print invites viewers on a visual journey through time—a testament to Guardi's talent as well as his ability to capture moments

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