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Iris meda, Originally from Persia (Iran). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889
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Iris meda, Originally from Persia (Iran). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889
FLO4585794 Iris meda, Originally from Persia (Iran). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.; (add.info.: Iris meda, Originally from Persia (Iran). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.); © Florilegius
Media ID 38247212
© © Florilegius / Bridgeman Images
Angleterre Iris Allemagne Grande Bretagne
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EDITORS COMMENTS
This stunning lithograph of Iris meda, originally from Persia (Iran), captures the intricate beauty of this exotic flower. The detailed drawing by Matilda Smith and expert lithography by J.N. Fitch bring out the vibrant colors and delicate details of the iris, showcasing its unique characteristics.
Published in London, England in 1889 as part of Curtis Botanical Magazine by Joseph Dalton Hooker, this print is a true masterpiece of botanical artistry. The collaboration between Smith, Fitch, and Hooker resulted in a work that not only serves as a visual delight but also as a valuable resource for botanical knowledge.
The elegant lines and graceful curves of the iris are expertly rendered in this lithograph, highlighting its importance as a subject for study and admiration. The precision and skill displayed in this artwork speak to the dedication and talent of all involved in its creation.
As we gaze upon this image, we are transported back to the late nineteenth century when botanical exploration was at its peak. This print serves as a reminder of the rich history of plant discovery and classification that continues to inspire botanists and nature enthusiasts today.
In conclusion, this lithograph is not just a beautiful piece of art but also a testament to human curiosity and appreciation for the natural world. It stands as a timeless representation of the enduring allure of flowers like Iris meda from distant lands like Persia (Iran).
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