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Byzantine Art: binding plate: Jesus Christ crowned Emperor Otton II (955-983
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Byzantine Art: binding plate: Jesus Christ crowned Emperor Otton II (955-983
JLJ4564871 Byzantine Art: binding plate: Jesus Christ crowned Emperor Otton II (955-983) and his wife Princess Theophano Skleraina (or Theophanu or Theophania) (955-991). Elephant ivory sculpture. 982-983. Dim. 0, 18x0, 10 m. Paris, National Museum of the Middle Ages, Thermes de Cluny - Crowning of Otto II, Holy Roman Emperor, and Theophanu. Binding plate in ivory. Paris, Musee de Cluny, National Museum of the Middle Ages. by Byzantine, (10th century); Musee National du Moyen Age et des Thermes de Cluny, Paris; (add.info.: Byzantine Art: binding plate: Jesus Christ crowned Emperor Otton II (955-983) and his wife Princess Theophano Skleraina (or Theophanu or Theophania) (955-991). Elephant ivory sculpture. 982-983. Dim. 0, 18x0, 10 m. Paris, National Museum of the Middle Ages, Thermes de Cluny - Crowning of Otto II, Holy Roman Emperor, and Theophanu. Binding plate in ivory. Paris, Musee de Cluny, National Museum of the Middle Ages.); Photo ePhoto Josse; out of copyright
Media ID 23727758
© Josse / Bridgeman Images
10 10th 10th X 10th Century Bible Personnage Byzantine Coronation Couronnement Ivoire Ivory Moyen Age Reine Sacre Aureole
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EDITORS COMMENTS
This print showcases a remarkable piece of Byzantine art, an intricately carved binding plate made from elephant ivory. Created in the 10th century, this exquisite sculpture measures 0.18x0.10 meters and is currently housed in the National Museum of the Middle Ages at Thermes de Cluny in Paris. The focal point of this artwork is Jesus Christ crowning Emperor Otton II (955-983) and his wife Princess Theophano Skleraina (or Theophanu or Theophania) (955-991). This depiction symbolizes their ascent to power and highlights the intertwining of religious and political authority during that era. The attention to detail in this ivory sculpture is truly awe-inspiring. Every delicate feature, from the intricate facial expressions to the ornate clothing, has been meticulously crafted by skilled hands. It serves as a testament to the mastery of Byzantine artists who were able to transform humble materials into objects of great beauty and significance. As we gaze upon this photograph, we are transported back in time, witnessing a momentous occasion where faith and politics intersected. It reminds us of how art can be used not only as a means for aesthetic pleasure but also as a powerful tool for conveying ideas and shaping historical narratives. Through its preservation at Musee de Cluny's National Museum of the Middle Ages, this binding plate continues to captivate viewers with its timeless beauty while providing valuable insights into Byzantine culture and history.
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