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Illustration by Achille Lemot (1846-1909) in Le Pelerin
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Illustration by Achille Lemot (1846-1909) in Le Pelerin
ICA4857102 Illustration by Achille Lemot (1846-1909) in Le Pelerin, 16/04/05 - What they want to do of our churches - Anticlericalism, Music, Religion Faith, Architecture Urbanism, Dance, Cathedrale Churches, Catholic Catholicism - Laicisation of the religious space, Laicisation Laicite Laiques laws by Lemot, Achille (1846-1909); (add.info.: Illustration by Achille Lemot (1846-1909) in Le Pelerin, 16/04/05 - What they want to do of our churches - Anticlericalism, Music, Religion Faith, Architecture Urbanism, Dance, Cathedrale Churches, Catholic Catholicism - Laicisation of the religious space, Laicisation Laicite Laiques laws); Photo eCaricadoc; French, out of copyright
Media ID 22827104
© Caricadoc / Bridgeman Images
Ball Believer Displays Ensign Laicite Caricadoc Journalism Years 1900
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EDITORS COMMENTS
This print, titled "Illustration by Achille Lemot (1846-1909) in Le Pelerin" offers a thought-provoking glimpse into the societal changes surrounding religion in early 20th century France. The image, originally published on April 16,1905, explores the theme of anticlericalism and its impact on various aspects of religious life. In this caricature-like illustration, Lemot skillfully portrays a scene where believers are surrounded by elements that challenge traditional religious practices. The church is depicted as a vibrant hub of activity, with music filling the air and people engaged in lively dance. This portrayal hints at the growing influence of secular culture on religious spaces during this period. The artist's use of satire highlights the tensions between faith and modernity. Through his clever depiction, Lemot questions whether these changes will ultimately lead to the dilution or abandonment of traditional Catholic beliefs. The image also touches upon broader themes such as architecture urbanism and laicisation – reflecting society's evolving relationship with religion. By incorporating symbols like an ensign representing laicite (the principle separating church from state), Lemot prompts viewers to contemplate how these shifts may affect their own faith and sense of identity. Overall, this historical print serves as both a snapshot of French society at the turn of the century and a reminder that cultural transformations have long been intertwined with religious institutions.
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